Knives Out (2019)

by Sara Michelle Fetters - November 27th, 2019 - Movie Reviews

Rian Johnson’s marvelous who-done-it (and how’d-they-do-it) all-star murder mystery Knives Out is more than just a witty modern-day riff on a familiar Agatha Christie-like scenario.

Rian Johnson’s marvelous who-done-it (and how’d-they-do-it) all-star murder mystery Knives Out is more than just a witty modern-day riff on a familiar Agatha Christie-like scenario.

Queen & Slim (2019)

by Sara Michelle Fetters - November 27th, 2019 - Movie Reviews

Queen & Slim is a nightmare romantic thriller ripped straight out of today’s headlines

Queen & Slim is a nightmare romantic thriller ripped straight out of today’s headlines

The Omen Collection (1976 – 2006)

by Sara Michelle Fetters - November 26th, 2019 - Blu-ray and DVD

“When the Jews return to Zion
And a comet rips the sky
And the Holy Roman Empire rises,
Then You and I must die.

From the eternal sea he rises,
Creating armies on either shore,
Turning man against his brother’Til man exists no more.”
– THE OMEN (1976)

“When the Jews return to Zion
And a comet rips the sky
And the Holy Roman Empire rises,
Then You and I must die.

From the eternal sea he rises,
Creating armies on either shore,
Turning man against his brother’Til man exists no more.”
– THE OMEN (1976)

“Ford v Ferrari” – Interview with Robert Nagle

by Sara Michelle Fetters - November 23rd, 2019 - Interviews

“It’s about having the right people and doing a lot of preparation and planning. You just go through the choreography step by step so that everybody understands where they need to be at any given moment. As long as that’s adhered to we take most of the risk out of it.”
– Robert Nagle, Stunt Coordinator | Ford v Ferrari (2019)

“It’s about having the right people and doing a lot of preparation and planning. You just go through the choreography step by step so that everybody understands where they need to be at any given moment. As long as that’s adhered to we take most of the risk out of it.”
– Robert Nagle, Stunt Coordinator | Ford v Ferrari (2019)

Honey Boy (2019)

by Sara Michelle Fetters - November 22nd, 2019 - Movie Reviews

Honey Boy is a complex nonlinear trek into the highs, lows and uncomforting in-betweens of a life lived on the fringes of the Los Angeles spotlight, this father-son story at a vicious exposé of lost dreams, heightened expectations, overpowering addiction and unselfish love that caught me by surprise.

Honey Boy is a complex nonlinear trek into the highs, lows and uncomforting in-betweens of a life lived on the fringes of the Los Angeles spotlight, this father-son story at a vicious exposé of lost dreams, heightened expectations, overpowering addiction and unselfish love that caught me by surprise.

Frozen II (2019)

by Sara Michelle Fetters - November 21st, 2019 - Movie Reviews

Frozen II is a sequel that exists to tell its own individual story and not just ride on the Oscar-winning coattails of its predecessor, watching it a continual joy that filled my heart with glee.

Frozen II is a sequel that exists to tell its own individual story and not just ride on the Oscar-winning coattails of its predecessor, watching it a continual joy that filled my heart with glee.

Ford v Ferrari (2019)

by Sara Michelle Fetters - November 15th, 2019 - Movie Reviews

Hitting the screen like a shot of pure unfiltered adrenaline, director James Mangold’s Ford v Ferrari is an outstanding historical character study overflowing in energy, excitement, drama, heartache, euphoria and unbridled suspense.

Hitting the screen like a shot of pure unfiltered adrenaline, director James Mangold’s Ford v Ferrari is an outstanding historical character study overflowing in energy, excitement, drama, heartache, euphoria and unbridled suspense.

The Good Liar (2019)

by Sara Michelle Fetters - November 15th, 2019 - Movie Reviews

Because Condon and Hatcher don’t drop any hints or noticeable clues as to what is going on this character-driven mystery comes perilously close to transforming into a ‘70s-style exploitation thriller for the AARP set, which might have been fine had I felt The Good Liar earned such a pivotal change in tone.

Because Condon and Hatcher don’t drop any hints or noticeable clues as to what is going on this character-driven mystery comes perilously close to transforming into a ‘70s-style exploitation thriller for the AARP set, which might have been fine had I felt The Good Liar earned such a pivotal change in tone.

The Report (2019)

by Sara Michelle Fetters - November 15th, 2019 - Movie Reviews

Burns has delivered a pulse-pounding procedural I could not resist, and I can’t help but think that audiences of all political persuasions will end up feeling the same just as long as they can put their differences aside in order to give The Report a look.

Burns has delivered a pulse-pounding procedural I could not resist, and I can’t help but think that audiences of all political persuasions will end up feeling the same just as long as they can put their differences aside in order to give The Report a look.

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