Firestarter (2022)

by Sara Michelle Fetters - May 13th, 2022 - Movie Reviews

Maybe Firestarter is unadaptable?

Maybe Firestarter is unadaptable?

The Sadness (2021)

by Sara Michelle Fetters - May 12th, 2022 - Movie Reviews

The Sadness is one of the more aggressively bleak, disturbing, and depraved horror films I’ve ever seen. While I know that sounds like hyperbole, trust me when I say it is not.

The Sadness is one of the more aggressively bleak, disturbing, and depraved horror films I’ve ever seen. While I know that sounds like hyperbole, trust me when I say it is not.

Doctor Strange in the Multiverse of Madness (2022)

by Sara Michelle Fetters - May 4th, 2022 - Movie Reviews

It doesn’t happen immediately, but when it matters most, Raimi unleashes all of the crazy, comedically vaudevillian, blood-soaked, visually audacious tricks fans expect from him, and Doctor Strange in the Multiverse of Madness comes alive like no other MCU entry in recent memory.

It doesn’t happen immediately, but when it matters most, Raimi unleashes all of the crazy, comedically vaudevillian, blood-soaked, visually audacious tricks fans expect from him, and Doctor Strange in the Multiverse of Madness comes alive like no other MCU entry in recent memory.

Unforgettables: Cinematic Milestones #3 – Victor/Victoria (1982)

by Sara Michelle Fetters - April 27th, 2022 - Features

Victor/Victoria: Blake Edwards’ 1982 gender-bending Parisian musical farce remains ahead of its time

Victor/Victoria: Blake Edwards’ 1982 gender-bending Parisian musical farce remains ahead of its time

The Bad Guys (2022)

by Sara Michelle Fetters - April 22nd, 2022 - Movie Reviews

The Bad Guys is an awful lot of fun.

The Bad Guys is an awful lot of fun.

The Northman (2022)

by Sara Michelle Fetters - April 22nd, 2022 - Movie Reviews

A sensory triumph more than it is an emotional one, The Northman is nonetheless an enthralling endeavor, everything building to a crushing finale of senseless masculine bravado that’s as gut-wrenchingly beautiful as it is tragically heartbreaking.

A sensory triumph more than it is an emotional one, The Northman is nonetheless an enthralling endeavor, everything building to a crushing finale of senseless masculine bravado that’s as gut-wrenchingly beautiful as it is tragically heartbreaking.

The Unbearable Weight of Massive Talent (2022)

by Sara Michelle Fetters - April 22nd, 2022 - Movie Reviews

Cage knocks it out of the park, making The Unbearable Weight of Massive Talent a triumphant culmination of a career that’s hopefully far from over.

Cage knocks it out of the park, making The Unbearable Weight of Massive Talent a triumphant culmination of a career that’s hopefully far from over.

Virus: 32 (2022)

by Sara Michelle Fetters - April 22nd, 2022 - Movie Reviews

Gustavo Hernández’s latest shocker Virus: 32 is an effectively unsettling slice of bloody run-and-hide zombie horror that had me squirming in my seat.

Gustavo Hernández’s latest shocker Virus: 32 is an effectively unsettling slice of bloody run-and-hide zombie horror that had me squirming in my seat.

We’re All Going to the World’s Fair (2021)

by Sara Michelle Fetters - April 20th, 2022 - Film Festivals Movie Reviews

Themes revolving around personal self-discovery are universal in their eerie effectiveness, and there were multiple moments where I saw myself in the main character, a quiet shiver cascading down my spine every time.

Themes revolving around personal self-discovery are universal in their eerie effectiveness, and there were multiple moments where I saw myself in the main character, a quiet shiver cascading down my spine every time.

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