“Simon Killer” – Interview with Antonio Campos and Brady Corbet

by Sara Michelle Fetters - April 10th, 2013 - Interviews

“This character is a subversion of genre, a subversion of self. The whole movie is a subversion of genre. It should defy expectations. It’s a mystery that I hope the audience is always curious to try and figure out.”
– Brady Corbet

“This character is a subversion of genre, a subversion of self. The whole movie is a subversion of genre. It should defy expectations. It’s a mystery that I hope the audience is always curious to try and figure out.”
– Brady Corbet

The Company You Keep (2012)

by Sara Michelle Fetters - April 5th, 2013 - Movie Reviews

While not as prescient as it thinks it is or as twisty as I imagine the filmmakers hoped it would be, the tale intelligently being spun is still fairly solid, making The Company You Keep an old school political thriller worth checking out.

While not as prescient as it thinks it is or as twisty as I imagine the filmmakers hoped it would be, the tale intelligently being spun is still fairly solid, making The Company You Keep an old school political thriller worth checking out.

Evil Dead (2013)

by Sara Michelle Fetters - April 5th, 2013 - Movie Reviews

I can’t say this Evil Dead will be as revered or as influential as its predecessor, but that doesn’t mean it isn’t without merit. Alvarez proves to be a horror filmmaker with passion, energy, style and vision, taking the Raimi/Campbell/Tapert concept into twisted new territory while at the same time paying just homage to the original trilogy at the exact same time.

I can’t say this Evil Dead will be as revered or as influential as its predecessor, but that doesn’t mean it isn’t without merit. Alvarez proves to be a horror filmmaker with passion, energy, style and vision, taking the Raimi/Campbell/Tapert concept into twisted new territory while at the same time paying just homage to the original trilogy at the exact same time.

Jurassic Park 3D (1993)

by Sara Michelle Fetters - April 5th, 2013 - Movie Reviews

Did Jurassic Park need a 3D upgrade? Heck no, the film confidently spoke for itself 20 years ago and its does so just as exuberantly now. Still, I will say that as post-conversions of older titles go, this is without a doubt the best one I have ever seen.

Did Jurassic Park need a 3D upgrade? Heck no, the film confidently spoke for itself 20 years ago and its does so just as exuberantly now. Still, I will say that as post-conversions of older titles go, this is without a doubt the best one I have ever seen.

Simon Killer (2012)

by Sara Michelle Fetters - April 5th, 2013 - Movie Reviews

Simon Killer gets under your skin, inch by inch, moment by moment, insidiously planting itself inside the psyche like a predator ready to pounce on its prey, the final moments a shocking turn of events that are as surprising as they are toxically unsettling.

Simon Killer gets under your skin, inch by inch, moment by moment, insidiously planting itself inside the psyche like a predator ready to pounce on its prey, the final moments a shocking turn of events that are as surprising as they are toxically unsettling.

Trance (2013)

by Sara Michelle Fetters - April 5th, 2013 - Movie Reviews

I’m not going to spoil the twists Trance offers up for consideration. But if I did, if I wanted to, I doubt it would matter much, Boyle and company delivering a fervently exhausting techno-powered modern day thriller of memory and regret that makes up in energy and excitement what it lacks in nuance and overall surprise.

I’m not going to spoil the twists Trance offers up for consideration. But if I did, if I wanted to, I doubt it would matter much, Boyle and company delivering a fervently exhausting techno-powered modern day thriller of memory and regret that makes up in energy and excitement what it lacks in nuance and overall surprise.

Upstream Color (2013)

by Sara Michelle Fetters - April 5th, 2013 - Movie Reviews

Carruth’s Upstream Color refuses to be diluted down into digestible platitudes. In some circles it could probably be construed as nonsensical prattle. In others, it will more than likely be considered a masterpiece.

Carruth’s Upstream Color refuses to be diluted down into digestible platitudes. In some circles it could probably be construed as nonsensical prattle. In others, it will more than likely be considered a masterpiece.

Blancanieves (2012)

by Sara Michelle Fetters - March 29th, 2013 - Movie Reviews

Berger keeps the pace moving briskly, while his staging of the final act speaks with a heartbreaking surreal elegance that left me speechless, all of which makes Blancanieves a timeless one-of-a-kind spectacle the both brothers Grimm would have been proud to have called their own.

Berger keeps the pace moving briskly, while his staging of the final act speaks with a heartbreaking surreal elegance that left me speechless, all of which makes Blancanieves a timeless one-of-a-kind spectacle the both brothers Grimm would have been proud to have called their own.

Gimme the Loot (2012)

by Sara Michelle Fetters - March 29th, 2013 - Movie Reviews

Gimme the Loot [is] a heartbreakingly sunny reminder that hope can be found where you least expect it and that friendships forged under adversity, whether perceived or actual, can oftentimes without our knowing become the longest lasting of them all.

Gimme the Loot [is] a heartbreakingly sunny reminder that hope can be found where you least expect it and that friendships forged under adversity, whether perceived or actual, can oftentimes without our knowing become the longest lasting of them all.

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