Love Is All You Need (2012)

by Sara Michelle Fetters - May 3rd, 2013 - Movie Reviews

Ida and Philip’s slow dance towards romantic entanglement is lovingly pure, Bier’s adroitly understated choreography allowing for a level of emotional clarity that’s divine. My heart overflowed in happiness watching Love Is All You Need, the delight I felt as I left the theatre a feeling I hoped would never end.

Ida and Philip’s slow dance towards romantic entanglement is lovingly pure, Bier’s adroitly understated choreography allowing for a level of emotional clarity that’s divine. My heart overflowed in happiness watching Love Is All You Need, the delight I felt as I left the theatre a feeling I hoped would never end.

Renoir (2012)

by Sara Michelle Fetters - May 3rd, 2013 - Movie Reviews

Watching this movie was a beguiling joy that brought a smile to my face and filled my heart with the kind of rapture that lingered there for hours afterwards. Renoir drips with insight and meaning, its depiction of two famed artists both justly celebrated today as game-changing trendsetters one all involved can be justifiably proud of.

Watching this movie was a beguiling joy that brought a smile to my face and filled my heart with the kind of rapture that lingered there for hours afterwards. Renoir drips with insight and meaning, its depiction of two famed artists both justly celebrated today as game-changing trendsetters one all involved can be justifiably proud of.

At Any Price (2013)

by Sara Michelle Fetters - April 26th, 2013 - Movie Reviews

The bottom line is that the director has a lot on his mind and a ton he wants to say, the majority of which I firmly believe deserves to be stated as loudly and as exuberantly as possible. But as good the cast is and as great as many individual moments are none of them are detailed or are as explored as fully as I felt like they needed to be, making [At Any Price] an intriguing oddity difficult to embrace even if in some ways it’s still relatively easy to recommend.

The bottom line is that the director has a lot on his mind and a ton he wants to say, the majority of which I firmly believe deserves to be stated as loudly and as exuberantly as possible. But as good the cast is and as great as many individual moments are none of them are detailed or are as explored as fully as I felt like they needed to be, making [At Any Price] an intriguing oddity difficult to embrace even if in some ways it’s still relatively easy to recommend.

The Big Wedding (2013)

by Sara Michelle Fetters - April 26th, 2013 - Movie Reviews

I’d be lying if I said I hated The Big Wedding entirely, because at no time during the 90 minutes it ran did I feel bored or wanted to bolt from my theatre seat. Not that I was ever entertained by Zackham’s film, and truth be told had the majority of the cast not given it their best efforts I doubt there would be anything of merit to talk about.

I’d be lying if I said I hated The Big Wedding entirely, because at no time during the 90 minutes it ran did I feel bored or wanted to bolt from my theatre seat. Not that I was ever entertained by Zackham’s film, and truth be told had the majority of the cast not given it their best efforts I doubt there would be anything of merit to talk about.

Errors of the Human Body (2012)

by Sara Michelle Fetters - April 26th, 2013 - Movie Reviews

Errors of the Human Body doesn’t always work, pieces of it not always fitting comfortably with their cinematic counterparts. But the emotional core of this biological nightmare consistently rings true, making the DNA-fueled terrors that are being depicted all the more chilling on a personal level than they ever could have been otherwise.

Errors of the Human Body doesn’t always work, pieces of it not always fitting comfortably with their cinematic counterparts. But the emotional core of this biological nightmare consistently rings true, making the DNA-fueled terrors that are being depicted all the more chilling on a personal level than they ever could have been otherwise.

Kon-Tiki (2012)

by Sara Michelle Fetters - April 26th, 2013 - Movie Reviews

Rønning and Sandberg depict Heyerdal’s (Pål Hagen) journey with an intrinsic beauty that stirs the imagination and allows the heart to soar. From the moment he and his team of adventurers set foot on their small balsawood raft, to the second their feet touch the Polynesian shore, I felt as if I were making this dangerous trek across the Pacific Ocean right along with them.

Rønning and Sandberg depict Heyerdal’s (Pål Hagen) journey with an intrinsic beauty that stirs the imagination and allows the heart to soar. From the moment he and his team of adventurers set foot on their small balsawood raft, to the second their feet touch the Polynesian shore, I felt as if I were making this dangerous trek across the Pacific Ocean right along with them.

Mud (2013)

by Sara Michelle Fetters - April 26th, 2013 - Movie Reviews

Nichols once again subverts genre convention and slowly goes in directions you don’t always see coming. If his debut was a Hatfield and McCoy descent into familial darkness and his sophomore effort a psychological freak-out combining nature in upheaval and a devoted father slowly losing his marbles, then Mud (2013) is a coming-of-age drama of faith, understanding and friendship that defies convention resulting in an authentic urgency unique unto itself.

Nichols once again subverts genre convention and slowly goes in directions you don’t always see coming. If his debut was a Hatfield and McCoy descent into familial darkness and his sophomore effort a psychological freak-out combining nature in upheaval and a devoted father slowly losing his marbles, then Mud (2013) is a coming-of-age drama of faith, understanding and friendship that defies convention resulting in an authentic urgency unique unto itself.

Pain & Gain (2013)

by Sara Michelle Fetters - April 26th, 2013 - Movie Reviews

There’s nothing of merit to take away from Pain & Gain other than the fact that maybe in the hands of a different filmmaker something worthwhile could have been crafted, this pile of bombast as instantly forgettable, and in some ways lamentable, as anything I’m likely to see in all of 2013.

There’s nothing of merit to take away from Pain & Gain other than the fact that maybe in the hands of a different filmmaker something worthwhile could have been crafted, this pile of bombast as instantly forgettable, and in some ways lamentable, as anything I’m likely to see in all of 2013.

In the House (2012)

by Sara Michelle Fetters - April 19th, 2013 - Four-Star Corner Movie Reviews

In the House is an incredible work of art that remembers the greatest stories start from the most blasé of scenarios, and that even when the ending to the tale borders on perfection the ultimate destination a masterpiece is headed for is for future generations to determine its value and worth for themselves.

In the House is an incredible work of art that remembers the greatest stories start from the most blasé of scenarios, and that even when the ending to the tale borders on perfection the ultimate destination a masterpiece is headed for is for future generations to determine its value and worth for themselves.

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