My feelings towards Olympus Has Fallenaren’t exactly euphoric, and my reaction to the overall motion picture itself isn’t anywhere near positive. At the same time, for a schlock Die Hard variation (i.e. knockoff) Fuqua’s film isn’t anything close to a disaster, it’s too competently acted and directed for that to be the case. At the same, it’s also not anything even slightly special, making watching it more of thing to do when there’s nothing else to do than a necessity worthy of rushing out to the multiplex to experience.
In many ways, Korine’s enterprise is like an electronic music video set to the latest dance tracks only helmed by some weird amalgam of Terrence Malick, Steven Soderbergh and Quentin Tarantino. Scenes repeat themselves, dialogue is uttered in voiceover in hushed, almost whispered tones while the visuals appearing on the screen don’t always match the actions being described by one of the characters. It’s a fevered dreamscape of sex, lies, violence, videotape and cell phones, all of it lit in neon hues so unearthly they could only exist in a rabidly virile candy land as depicted here.
As return engagements go Yossi is something of a surprising powerhouse and an unquestioned success for Fox. The now established filmmaker shows just how much he’s blossomed and grown as a storyteller, his subtle touch a refreshing reminder that familiar stories can still intimately connect when they are delivered with honesty and respect.
A strong, if not entirely successful, motion picture, NO is a gripping and thought-provoking procedural sure to spark complicated and stimulating debates for many years to come.
Be that as it may, as fifth go-arounds are concerned this one is certainly not a charm, and for fans of the series it’s best to just say ‘yippee-ki-nay!’ and leave this latest installment well enough alone.
Beautiful Creatures isn’t perfect, and there are certainly elements that could be improved upon if the film ends up generating future installments. But it gets far more right than it does wrong, the movie achieving a poignant ebullience that’s bewitching.
If anyone tries to tell you more about director Steven Soderbergh’s (Traffic, Magic Mike) new thriller Side Effects (2013) other than that hush them up as quickly as you can. With an intricate, densely plotted script by Scott Z. Burns (Contagion, The Informant!), the movie never goes where you expect it to, does things you do not anticipate and moves its characters into some incredible (and incredibly surprising) situations.
But even when the vicious Queen Spider breaks out onto the streets of New York, even when Muldoon and Campbell’s daughter finds herself stranded in the middle of the alien arachnid’s hive, even when the military starts attacking as if Godzilla himself was rampaging throughout the city, Spiders 3D barely registers, the film devoid of a pulse and, disappointingly, is nothing short of dead on arrival.
Needless to say, [Girls Against Boys] will not be a pleasant experience for everyone. The first kill is shocking in its ruthless normality, while a later dismemberment had me clutching my armrests so tightly I worried I was going to break a finger.