Nick Frost Dances His Way to Redemption in ‘Cuban Fury’. Sprung forth from an idea that had been lingering on the forefront of actor Nick Frost’s brain for some time, ‘Cuban Fury’ is a Salsa-fueled romantic comedy that’s one part Strictly Ballroom, another part Rocky and final part Four Weddings and a Funeral.
If it had been 20 minutes shorter, had the filmmakers not been so encumbered by the need to maintain fidelity to the MCU, I think it is safe to say Captain America: The Winter Soldier would be the best Marvel movie thus far.
Insightful Anita a Rousing Call to Action In just 77-minutes, Academy Award-winner Freida Lee Mock (Maya Lin: A Strong Clear Vision) manufactures an absolutely essential piece of documentary cinema with Anita. More than just a two-plus decades later recounting of the events that made Anita Hill a household name, the movie is a magnificently effective […]
a SIFF 2013 review Nothing Cheap About These Bleakly Satirical Thrills Cheap Thrills is the best movie you are likely going to be too scared to see. An eviscerating satirical assault on financial disparity and the smug, narcissistic tendencies of a seemingly uncaring elite coupled with the anything-goes neediness of a working class oftentimes willing […]
The Wolf of Wall Street showcases Martin Scorsese at the height of his cinematic powers, and as difficult as the movie can be at times, and as long as it is, this is still an uncompromising, deeply fascinating satirical black comedy I’m certain to be revisiting multiple times in the very near future.
Peña’s Virtuoso Performance Gives Cesar Chavez Life It’s hard to believe there hasn’t been a movie made about the life of renowned 1960’s union organizer and human rights crusader Cesar Chavez. Granted, sad to say I’m one of the many who know the name but know precious little about the man himself, his accomplishments as […]
Beauteous Ernest & Célestine C’est Magnifique France’s Ernest & Célestine was up against both Disney’s Frozen (the eventual winner) and Hayao Miyazaki’s The Wind Rises for the Academy Award for Best Animated Feature. I had not seen it before the Oscars had been handed out so I couldn’t really say whether or not it deserved […]
Whether one believes in this tale as one of gospel or just looks at it as a grandly amazing yarn of sacrifice and salvation, Aronofsky’s Noah is a Biblical epic that transcends easy generalizations becoming a significant achievement worthy of multiple viewings.
If Sabotage (2014) doesn’t quite get there, it’s not for lack of trying on [Schwarzengger’s] part, and I like the decision to tackle something so profoundly dark, close to off-putting. The movie is a pulpy piece of revenge noir that’s in the end as bleak and as riddled with despair as these enterprises can get (think Man on Fire), that in and of itself almost enough to warrant a recommendation on my part right there alone.