I found Valley Girl, like, totally disappointing, an unexpected turn of events that’s grody to the max, for sure.

Trolls World Tour rarely allowed me to catch my breath. It even more seldomly put anything that was happening into coherent perspective.

The drama, comedy, satire and commentary don’t merge into anything meaningful, Greed a stiflingly discombobulated letdown that can’t pay its entertainment bills without going into the red.

It’s all a bunch of colorfully anarchic, emotionally uplifting heartfelt supernatural silliness, all of which helps make Pixar’s latest comedic adventure Onward a goofy good time I’d be excited to see again.

“Sometimes it was overwhelming in all the best of ways. There was just so much possibility. When you’re just in the zone and in there with your camera, you have to take the opportunity to trust your eye as a filmmaker.”
– Olympic Dreams director Jeremy Teicher

I cannot get angry or feel let down by what Downhill is not (most obviously that it isn’t as deep or as profound as Force Majeure was). I can only judge the film for what it actually is, and on that front I think Faxon and Rash have done a reasonably nice job.

The first narrative feature to be allowed to shoot inside the Olympic Athletes Village, Olympic Dreams is a strong, emotionally-pure indie drama that took my breath away.

Harley Quinn’s emancipation and the birth of a new group of female crimefighters is one I happily stand to applaud, and if this ragtag group’s adventures continue in the future trust I’ll be first in line to witness them firsthand.

The Gentlemen races towards an inventive conclusion that brought a smile to my face and sent me out of the theatre with a skip in my step. Ritchie returns to his Brit crime caper roots with thrilling aplomb.