Tell No One is the type of thriller viewers won’t want to keep quiet about. In fact, if they have any sense they’re going to be screaming to see it again.
WALL•E is so unlike anything else Pixar has ever done I’m not even sure where to begin.
This new Hulk might have its moments and the character might still have his angry superpowers, but that doesn’t make the film anything close to incredible.
The Edge of Heaven isn’t just a movie to watch, it’s also one to cherish.
Not to say that this inaugural adventure of Iron Man soars very high, but it does get off the ground, and as far as first chapters in what is sure to be an ongoing story is concerned, at least for right now that’s going to have to be enough.
There Will Be Blood is a singular achievement, and while the feelings the film generates are ones contaminated with disgust and revulsion, the discussions they also promote are certain to last for a lifetime.
Atonement is a revelation, maybe even an instant classic.
Within the framework of this film it truly is No Country for Old Men, and as that harsh realization presents itself the only emotion left is a form of quietly overpowering grief.
Blade Runner is a brilliant amalgamation of sci-fi splendor and modern-day strum and drag, Scott melding it all into a poetic sensory symphony so spectacular it’s easy to see why the picture hasn’t lost a single bit of its timeless resonance.