Lights Out is a waste of time.
Madam Web comes tantalizingly close to being an unintentional parody of the superhero genre, and that happy accident almost makes watching the resulting mess worthwhile.
Lisa Frankenstein is more of a warmhearted lark than a pointed social commentary.
Out of the Darkness shines a light on modern troubles, and by dipping into the past, the film asks the audience to consider how tenuous and uncertain humanity’s future survival truly is.
Argylle is exhausting.
I.S.S. asks several troubling and unpleasant questions, and the film refuses to make things easy on the audience by smothering them in obvious or easy answers.
Miller’s Girl frequently vacillates between being insightful and facile, many times within the same scene, and because of this, it’s incredibly difficult to generate anything more than an emotionally cursory involvement in what is going on.
Which Brings Me to You isn’t worth watching before sunrise, and it certainly doesn’t warrant any attention before sunset, either.
Not everyone is going to “get” the juvenile horror-comedy Destroy All Neighbors, but those who do are going to adore the ever-loving heck out of it.