Ladyworld (2018)

by Sara Michelle Fetters - August 2nd, 2019 - Movie Reviews

While not for everyone, Ladyworld ended up getting to me, it’s freeze-frame conclusion nothing less than disquietly marvelous.

While not for everyone, Ladyworld ended up getting to me, it’s freeze-frame conclusion nothing less than disquietly marvelous.

Once Upon a Time…in Hollywood (2019)

by Sara Michelle Fetters - July 25th, 2019 - Movie Reviews

By the time Tarantino played fast and loose with history and ramped up his masculine Los Angeles fairy tale to bloodily gruesome new heights, Once Upon a Time…in Hollywood had pretty much lost me, and I suddenly realized this was one bit of loopy pulp fiction I could have done without.

By the time Tarantino played fast and loose with history and ramped up his masculine Los Angeles fairy tale to bloodily gruesome new heights, Once Upon a Time…in Hollywood had pretty much lost me, and I suddenly realized this was one bit of loopy pulp fiction I could have done without.

“Sword of Trust” – Interview with Marc Maron

by Sara Michelle Fetters - July 24th, 2019 - Film Festivals Interviews

“Everyone is also all so funny and so good. They’re all very capable actors and improvisers. It was always surprising. The events happened in the moment and I think that you can feel that. ”
– Marc Maron

“Everyone is also all so funny and so good. They’re all very capable actors and improvisers. It was always surprising. The events happened in the moment and I think that you can feel that. ”
– Marc Maron

“The Farewell” – Interview with Lulu Wang

by Sara Michelle Fetters - July 20th, 2019 - Film Festivals Interviews

“I think so many people going into the movie might feel one way, and feel very strongly that way. By the end of the movie, it’s not that I hope the movie changes their mind, but I hope that it at least puts a question mark there. That they’re saying, maybe I don’t know everything, and maybe that’s not the point.”
– Lulu Wang

“I think so many people going into the movie might feel one way, and feel very strongly that way. By the end of the movie, it’s not that I hope the movie changes their mind, but I hope that it at least puts a question mark there. That they’re saying, maybe I don’t know everything, and maybe that’s not the point.”
– Lulu Wang

The Art of Self-Defense (2019)

by Sara Michelle Fetters - July 19th, 2019 - Film Festivals Movie Reviews

The Art of Self-Defense is a strange little comedy I couldn’t have disliked even if I had wanted to try to do so, Stearns’ latest a gleeful bit of martial arts rebellion I’m excited to see again.

The Art of Self-Defense is a strange little comedy I couldn’t have disliked even if I had wanted to try to do so, Stearns’ latest a gleeful bit of martial arts rebellion I’m excited to see again.

The Farewell (2019)

by Sara Michelle Fetters - July 19th, 2019 - Film Festivals Four-Star Corner Movie Reviews

The Farewell is one of the best films of 2019. Heck, it might even be one of the best of the entire decade.

The Farewell is one of the best films of 2019. Heck, it might even be one of the best of the entire decade.

“The Art of Self-Defense” – Interview with Riley Stearns

by Sara Michelle Fetters - July 18th, 2019 - Film Festivals Interviews

“It’s all a cross-section of my brain. It’s like martial arts, comedy, drama, metal; everything that you want in a movie. It’s all personal experience stuff for me. It’s very, very, very loosely based on feelings and experiences and passions of mine. The fact that people have been responding to it the way that they have is somewhat surprising.”
– Riley Stearns

“It’s all a cross-section of my brain. It’s like martial arts, comedy, drama, metal; everything that you want in a movie. It’s all personal experience stuff for me. It’s very, very, very loosely based on feelings and experiences and passions of mine. The fact that people have been responding to it the way that they have is somewhat surprising.”
– Riley Stearns

The Lion King (2019)

by Sara Michelle Fetters - July 17th, 2019 - Movie Reviews

None of it mattered to me, and while I wanted to shrug my shoulders and whisper inaudibly, “Hakuna Matata,” as the end credits began their scrawl, the truth of the matter is that I felt no love for this The Lion King remake, it’s overall storytelling mediocrity a circle of never-ending disappointment I couldn’t wait to be finished with.

None of it mattered to me, and while I wanted to shrug my shoulders and whisper inaudibly, “Hakuna Matata,” as the end credits began their scrawl, the truth of the matter is that I felt no love for this The Lion King remake, it’s overall storytelling mediocrity a circle of never-ending disappointment I couldn’t wait to be finished with.

Sword of Trust (2019)

by Sara Michelle Fetters - July 11th, 2019 - Film Festivals Movie Reviews

Anchored by a superb performance from comedian, author, podcaster and essayist Maron and featuring wonderful supporting works by all three of his primary costars, especially a delightfully anarchic Watkins, Sword of Trust is a fast-paced O. Henry meets Mark Twain meets Tom Wolfe-like absurdist lark that sent me out of the theatre smiling.

Anchored by a superb performance from comedian, author, podcaster and essayist Maron and featuring wonderful supporting works by all three of his primary costars, especially a delightfully anarchic Watkins, Sword of Trust is a fast-paced O. Henry meets Mark Twain meets Tom Wolfe-like absurdist lark that sent me out of the theatre smiling.

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