Black Adam is a super-powered misfire.
Feig’s film is nowhere near as fully realized or as creatively satisfying as I kept hoping it was going to be, making The School for Good and Evil a mixed bag of magic tricks.
75 years of magic, romance, and feminine perseverance with The Ghost and Mrs. Muir
Three Thousand Years of Longing is the story of life, and as frustrating and maddening as that can be, it’s also quite beautiful: the continual hope for a better tomorrow is a wish worth making, no matter what the risks.
Thor: Love and Thunder is my least favorite film in the MCU.
It doesn’t happen immediately, but when it matters most, Raimi unleashes all of the crazy, comedically vaudevillian, blood-soaked, visually audacious tricks fans expect from him, and Doctor Strange in the Multiverse of Madness comes alive like no other MCU entry in recent memory.
A sensory triumph more than it is an emotional one, The Northman is nonetheless an enthralling endeavor, everything building to a crushing finale of senseless masculine bravado that’s as gut-wrenchingly beautiful as it is tragically heartbreaking.
Themes revolving around personal self-discovery are universal in their eerie effectiveness, and there were multiple moments where I saw myself in the main character, a quiet shiver cascading down my spine every time.
Dune is a technical marvel, and Warner’s 4K presentation of Denis Villeneuve’s ambitious adaptation of roughly the first half of Frank Herbert’s novel is undeniably impressive.