The Black Phone (2021)

by Sara Michelle Fetters - June 24th, 2022 - Movie Reviews

The Black Phone is a perfect example of how to tell a simple, somewhat familiar story with flair, intelligence, and style.

The Black Phone is a perfect example of how to tell a simple, somewhat familiar story with flair, intelligence, and style.

Spiderhead (2022)

by Sara Michelle Fetters - June 24th, 2022 - Movie Reviews

Spiderhead is a great Twilight Zone or Black Mirror scenario, only one that offers up a terrific idea, asks several fascinating questions, and then frustratingly doesn’t know how to reach a satisfying resolution.

Spiderhead is a great Twilight Zone or Black Mirror scenario, only one that offers up a terrific idea, asks several fascinating questions, and then frustratingly doesn’t know how to reach a satisfying resolution.

“The Passenger” – Interview with Fernando González Gómez

by Sara Michelle Fetters - June 10th, 2022 - Film Festivals Interviews

“We love that in our movies you can find a subtext. You can find more things when you watch a second time.”
– Fernando González Gómez

“We love that in our movies you can find a subtext. You can find more things when you watch a second time.”
– Fernando González Gómez

Jurassic World Dominion (2022)

by Sara Michelle Fetters - June 10th, 2022 - Movie Reviews

Jurassic World Dominion is dumb without the fun, and that just makes me sad.

Jurassic World Dominion is dumb without the fun, and that just makes me sad.

The Passenger (2021)

by Sara Michelle Fetters - June 10th, 2022 - Film Festivals Movie Reviews

The gleefully anarchic and exuberantly pitch-black The Passenger is a dangerously nasty horror comedy that got under my skin.

The gleefully anarchic and exuberantly pitch-black The Passenger is a dangerously nasty horror comedy that got under my skin.

Crimes of the Future (2022)

by Sara Michelle Fetters - June 3rd, 2022 - Movie Reviews

Crimes of the Future is a futuristically retro slice of body horror that left me speechless. It is a twisted descent into madness, refusing to coddle its audience or offer up a single happy ending. I wouldn’t have had it any other way.

Crimes of the Future is a futuristically retro slice of body horror that left me speechless. It is a twisted descent into madness, refusing to coddle its audience or offer up a single happy ending. I wouldn’t have had it any other way.

Treasure of the Four Crowns 3-D (1983) (Blu-ray)

by Sara Michelle Fetters - May 24th, 2022 - Blu-ray and DVD

Treasure of the Four Crowns is certifiably insane. It’s also spectacularly entertaining, reveling in its inherent madness so thoroughly that it’s impossible not to be impressed by all of the inventively deranged absurdity.

Treasure of the Four Crowns is certifiably insane. It’s also spectacularly entertaining, reveling in its inherent madness so thoroughly that it’s impossible not to be impressed by all of the inventively deranged absurdity.

Without Warning (1980) (Blu-ray)

by Sara Michelle Fetters - May 24th, 2022 - Blu-ray and DVD

Jack Palance and Martin Landau gleefully ham it up, and there’s a nifty plot twist at roughly the two-thirds mark that’s moderately surprising, but otherwise Without Warning is one of those low-budget 1980s oddities that never fully delivers on its promise.

Jack Palance and Martin Landau gleefully ham it up, and there’s a nifty plot twist at roughly the two-thirds mark that’s moderately surprising, but otherwise Without Warning is one of those low-budget 1980s oddities that never fully delivers on its promise.

Firestarter (2022)

by Sara Michelle Fetters - May 13th, 2022 - Movie Reviews

Maybe Firestarter is unadaptable?

Maybe Firestarter is unadaptable?

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