Yet, even at an epic 142 minutes, gosh darn it all if I didn’t still get a kick out of watching The Death Cure.
Yet tension exists, and terror continually follows it, everything building to a suitably violent and destructive climax that kept me moving forward in my seat eager to discover how things were going to turn out.
It can safely be said that predicting the nominees, let alone the eventual winners, of the 90th annual Academy Awards, is as difficult this year as it has ever been.
With the war in Afghanistan ongoing and no immediate end to the conflict in sight, the fact 12 Strong plays like nationalistic propaganda shouldn’t be surprising.
None of that matters because Den of Thieves is so brain dead, so filled with bad ideas and lame plot devices, that maintaining interest in what is going on and why, let alone caring about who is going to survive until the end, is practically impossible.
Neeson and Collet-Serra know what they’re doing and they’ve got the formula down pat. For fans of the pair, there are certainly far worse ways to spend a couple of hours. If anything, The Commuter sure beats getting stuck in rush hour traffic on the way home from work.
I might even go so far as to proclaim Paddington 2 pretty much perfect, but let me indulge in one more marmalade sandwich before I make the decision to say just that.
Day-Lewis has said this is his last role, that with Phantom Thread’s release he is retiring from acting. If this is indeed the case, Anderson has crafted for the three-time Academy Award winner a role fitting of his legendary talents.
But it is the film’s eerie sound design that is most impressive. Staub uses it as a weapon, keeping both the characters and the audience constantly discombobulated, and it is frequently impossible to know what each little creak in the floorboards, whistle of wind or crack of lightning signifies let alone where they might be coming from.