In the wake of current events, it is ironically depressing that the Trump administration’s ban on transgender individuals serving in the military goes into effect the same day as this doc’s New York theatrical release, Knowlton’s feature couldn’t be more timely or essential. Open your hearts and your minds and give The Most Dangerous Year an immediate look.
The Guilty asks tough questions about right and wrong that straddle the line between good and evil with heartrending clarity, and no matter how selflessly pure the act innocence and guilt still mix via an uneasy symbiotic relationship with neither attribute able to exist without the companionship of its polar opposite sibling.
“I think Gilda brings back memories for people of where they were and what they wanted from life. It brings back a youth. People who know Gilda, love Gilda.”
– Lisa D’Apolito
D’Apolito has made a movie that will introduce the legendary comedy firebrand to a potential new audience of youngsters who will be blown away by her whip-smart brilliance. No joke, Love, Gilda is one of 2018’s best documentaries
If not for Thompson’s bravura performance I doubt there’d be a heck of a lot going on here I’d want to spend my time talking about, The Children Act a well-intentioned melodrama whose various bits and pieces are interesting, and far more memorable, than the finished product itself frustratingly proves to be.
“We knew it was emotional and touching, that it was a great story about one woman’s journey to find herself, but we were surprised to see how people appreciated the humor. I just hope people enjoy the movie and take what they can from it.”
– Marc Turtletaub
A rare starring role for Macdonald, the emotionally lithe Puzzle is a fantastic showcase for the veteran character actress. She’s dazzling as Agnes and underplays her part magnificently, allowing all of the delicate nuances of Oren Moverman and Polly Mann’s screenplay to come to heartbreakingly brittle life with astonishing ease.
“I made this film to make people feel less alone. I’m not into propaganda filming. That’s not my thing.”
– Desiree Akhavan
Bonhôte and Ettedgui’s documentary is superb, McQueen overflowing in insight, human emotion and edifying moments that are universal in their intimately visceral appeal. It showcases an extraordinary and imaginative talent battling against the darkness lurking within his psyche while at the same time pushing the boundary of what the high fashion world was ready to endure.