Ghostlight is a variation on William Shakespeare’s Romeo and Juliet the likes of which I’ve never seen.

There is a moment in In a Violent Nature that will rightfully go down in slasher movie lore.

I Saw the TV Glow is one of the best films about identity I’ve ever seen.

The People’s Joker is an absurdist, autobiographical, mixed-media, DC Comics satire that pushes the definition of “fair use” to its breaking point.

All of Us Strangers is maybe 2023’s best film.

“We love that in our movies you can find a subtext. You can find more things when you watch a second time.”
– Fernando González Gómez

The gleefully anarchic and exuberantly pitch-black The Passenger is a dangerously nasty horror comedy that got under my skin.

Emergency rages against the status quo with fiery imagination and shrewdly perceptive resolve, it’s screeching tires of revolution a clarion call of societal change viewers should take the time to listen to.

Themes revolving around personal self-discovery are universal in their eerie effectiveness, and there were multiple moments where I saw myself in the main character, a quiet shiver cascading down my spine every time.