The Dressmaker (2015)

by Sara Michelle Fetters - October 7th, 2016 - Film Festivals Movie Reviews

Moorhouse’s willingness to push the envelope and dive into the darkest aspects of the tale with such macabre relish allows the emotions swirling within this maelstrom to resonate all the deeper, The Dressmaker an haute couture Aussie barnburner that’s dressed to the dark comedy nines.

Moorhouse’s willingness to push the envelope and dive into the darkest aspects of the tale with such macabre relish allows the emotions swirling within this maelstrom to resonate all the deeper, The Dressmaker an haute couture Aussie barnburner that’s dressed to the dark comedy nines.

Long Way North (2016)

by Sara Michelle Fetters - October 2nd, 2016 - Film Festivals Movie Reviews

Beautifully animated in its own, eye-popping, stylistically colorful way, Long Way North is like some blissful combination of early Studio Ghibli crossed with the writings of Jack London. It is a timeless tale, one universal in scope and in resonance, building to a heartfelt conclusion that had me wiping away tears while at the same longing to rise to my feet in lively ovation.

Beautifully animated in its own, eye-popping, stylistically colorful way, Long Way North is like some blissful combination of early Studio Ghibli crossed with the writings of Jack London. It is a timeless tale, one universal in scope and in resonance, building to a heartfelt conclusion that had me wiping away tears while at the same longing to rise to my feet in lively ovation.

Goat (2016)

by Sara Michelle Fetters - September 23rd, 2016 - Film Festivals Movie Reviews

While far from perfect, Neel’s latest is a magnetically compelling ride into the depths of human depravity that feels like an absolute necessity, especially right now. Goat is a movie that needs to be seen, and as hard as it can be to watch here’s hoping audiences take the time do so all the same.

While far from perfect, Neel’s latest is a magnetically compelling ride into the depths of human depravity that feels like an absolute necessity, especially right now. Goat is a movie that needs to be seen, and as hard as it can be to watch here’s hoping audiences take the time do so all the same.

“Southside with You” – Interview with Richard Tanne

by Sara Michelle Fetters - September 1st, 2016 - Film Festivals Interviews

“We know where Barack and Michelle are heading. We know what this spark is going to turn into. For me, that spark, that idea, it gave the story a richness that a fictionalized love story maybe couldn’t have had.”

“We know where Barack and Michelle are heading. We know what this spark is going to turn into. For me, that spark, that idea, it gave the story a richness that a fictionalized love story maybe couldn’t have had.”

Southside with You (2016)

by Sara Michelle Fetters - August 26th, 2016 - Film Festivals Movie Reviews

Here’s hoping those predisposed to stay away because the “Obama” name is associated with Southside with You have second thoughts as far as those are concerned; they might just be surprised to discover just how blissfully entertaining this particular story ends up proving to be.

Here’s hoping those predisposed to stay away because the “Obama” name is associated with Southside with You have second thoughts as far as those are concerned; they might just be surprised to discover just how blissfully entertaining this particular story ends up proving to be.

“Don’t Think Twice” – Interview with Mike Birbiglia

by Sara Michelle Fetters - August 11th, 2016 - Film Festivals Interviews

“For a specific group of people, maybe a bigger one than I let myself imagine it to be, [Don’t Think Twice] could be a film that gets watched multiple times, viewers finding things inside of it that I didn’t even know were there. How great would that be?”

“For a specific group of people, maybe a bigger one than I let myself imagine it to be, [Don’t Think Twice] could be a film that gets watched multiple times, viewers finding things inside of it that I didn’t even know were there. How great would that be?”

Don’t Think Twice (2016)

by Sara Michelle Fetters - August 5th, 2016 - Film Festivals Movie Reviews

Don’t Think Twice is the kind of movie I knew I liked exiting the theatre but didn’t realize just how much so until I’d had a few extra days to ponder all its narrative nuances. It’s a beautiful, character-driven affair, and while the introspective observations the filmmaker toys with are hardly revelatory that still doesn’t make them any less profound or affecting.

Don’t Think Twice is the kind of movie I knew I liked exiting the theatre but didn’t realize just how much so until I’d had a few extra days to ponder all its narrative nuances. It’s a beautiful, character-driven affair, and while the introspective observations the filmmaker toys with are hardly revelatory that still doesn’t make them any less profound or affecting.

The Land (2016)

by Sara Michelle Fetters - August 5th, 2016 - Film Festivals Movie Reviews

[The Land] is visually dynamic, moves with electric urgency and treats all four of its young protagonists with intelligence and respect. More than that, Caple offers up a conclusion that satisfactorily strays extremely far from the status quo, giving things an aura of originality all other facets of the narrative and the scenario undeniably lack.

[The Land] is visually dynamic, moves with electric urgency and treats all four of its young protagonists with intelligence and respect. More than that, Caple offers up a conclusion that satisfactorily strays extremely far from the status quo, giving things an aura of originality all other facets of the narrative and the scenario undeniably lack.

The Innocents (2016)

by Sara Michelle Fetters - July 8th, 2016 - Film Festivals Movie Reviews

From the early, eerie, unquestionably haunting images of a young nun traipsing through a barren, snow-covered Polish countryside going who knows where, to a moment of communal redemption hidden under the shroud of unthinkable secrecy and unimaginable sacrifice, The Innocents is a consistent triumph, achieving an overwhelming aura of brilliance that it manages to sustain first second to last.

From the early, eerie, unquestionably haunting images of a young nun traipsing through a barren, snow-covered Polish countryside going who knows where, to a moment of communal redemption hidden under the shroud of unthinkable secrecy and unimaginable sacrifice, The Innocents is a consistent triumph, achieving an overwhelming aura of brilliance that it manages to sustain first second to last.

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