D’Apolito has made a movie that will introduce the legendary comedy firebrand to a potential new audience of youngsters who will be blown away by her whip-smart brilliance. No joke, Love, Gilda is one of 2018’s best documentaries
If not for Thompson’s bravura performance I doubt there’d be a heck of a lot going on here I’d want to spend my time talking about, The Children Act a well-intentioned melodrama whose various bits and pieces are interesting, and far more memorable, than the finished product itself frustratingly proves to be.
“We knew it was emotional and touching, that it was a great story about one woman’s journey to find herself, but we were surprised to see how people appreciated the humor. I just hope people enjoy the movie and take what they can from it.”
– Marc Turtletaub
A rare starring role for Macdonald, the emotionally lithe Puzzle is a fantastic showcase for the veteran character actress. She’s dazzling as Agnes and underplays her part magnificently, allowing all of the delicate nuances of Oren Moverman and Polly Mann’s screenplay to come to heartbreakingly brittle life with astonishing ease.
“I made this film to make people feel less alone. I’m not into propaganda filming. That’s not my thing.”
– Desiree Akhavan
Bonhôte and Ettedgui’s documentary is superb, McQueen overflowing in insight, human emotion and edifying moments that are universal in their intimately visceral appeal. It showcases an extraordinary and imaginative talent battling against the darkness lurking within his psyche while at the same time pushing the boundary of what the high fashion world was ready to endure.
The simple truth is that there is more happening inside of The Miseducation of Cameron Post than initially meets the eye, its ability to tackle so many varying thematic ideas with such appealingly awkward élan incredible…Akhavan has delivered one of the best films I’ll see in 2018, and I have a sneaky suspicion this is one teenage drama I’m going to be waxing poetic about for many years to come.
I love Blindspotting. It’s the kind of film I want to stand up and cheer the moment the end credits come up on the screen, the type of nail-biting human drama I wish studios made more of and the kind of incisive, take-no-prisoners satire viewers of all persuasions owe it to themselves to take a chance on and see.
“Whether it’s race, whether it’s gentrification, whether it’s police brutality, we’re hoping that people are willing to listen and then talk amongst themselves. We’re not pretending to have any answers.”
– Carlos López Estrada