Ride Like a Girl (2019)

by Sara Michelle Fetters - March 13th, 2020 - Movie Reviews

Ride Like a Girl is a victorious gem, sprinting to the finish line with a gleeful enthusiasm that’s downright infectious.

Ride Like a Girl is a victorious gem, sprinting to the finish line with a gleeful enthusiasm that’s downright infectious.

The Hunt (2020)

by Sara Michelle Fetters - March 12th, 2020 - Movie Reviews

The didactic preachiness is too toothless to become truly tiresome, and in some ways that might just be the most disappointing and frustrating facet of The Hunt of them all, making this satirical safari unworthy of any more of my attention.

The didactic preachiness is too toothless to become truly tiresome, and in some ways that might just be the most disappointing and frustrating facet of The Hunt of them all, making this satirical safari unworthy of any more of my attention.

Greed (2019)

by Sara Michelle Fetters - March 6th, 2020 - Movie Reviews

The drama, comedy, satire and commentary don’t merge into anything meaningful, Greed a stiflingly discombobulated letdown that can’t pay its entertainment bills without going into the red.

The drama, comedy, satire and commentary don’t merge into anything meaningful, Greed a stiflingly discombobulated letdown that can’t pay its entertainment bills without going into the red.

Swallow (2019)

by Sara Michelle Fetters - March 6th, 2020 - Movie Reviews

Mirabella-Davis manages to bring all of the various themes he’s been exploring throughout Swallow to shockingly haunting culmination, all of which makes his insightful drama nothing less than unforgettable.

Mirabella-Davis manages to bring all of the various themes he’s been exploring throughout Swallow to shockingly haunting culmination, all of which makes his insightful drama nothing less than unforgettable.

The Traitor (2019)

by Sara Michelle Fetters - March 6th, 2020 - Movie Reviews

The Traitor is a sprawling exposé that covers decades of criminal escapades, all of it seen through the eyes of a man who refuses to consider himself an informer.

The Traitor is a sprawling exposé that covers decades of criminal escapades, all of it seen through the eyes of a man who refuses to consider himself an informer.

The Way Back (2020)

by Sara Michelle Fetters - March 6th, 2020 - Movie Reviews

While some of the core fundamentals are strong, and even though Affleck dominates the dramatic paint as if he were Bill Walton grabbing another rebound, The Way Back emotionally double-dribbles far too often before ultimately clanking the last shot off the front of the iron just as time expires.

While some of the core fundamentals are strong, and even though Affleck dominates the dramatic paint as if he were Bill Walton grabbing another rebound, The Way Back emotionally double-dribbles far too often before ultimately clanking the last shot off the front of the iron just as time expires.

Onward (2020)

by Sara Michelle Fetters - March 5th, 2020 - Movie Reviews

It’s all a bunch of colorfully anarchic, emotionally uplifting heartfelt supernatural silliness, all of which helps make Pixar’s latest comedic adventure Onward a goofy good time I’d be excited to see again.

It’s all a bunch of colorfully anarchic, emotionally uplifting heartfelt supernatural silliness, all of which helps make Pixar’s latest comedic adventure Onward a goofy good time I’d be excited to see again.

The Invisible Man (2020)

by Sara Michelle Fetters - February 28th, 2020 - Movie Reviews

The Invisible Man is next-level stuff that signifies his arrival as a talented storyteller who has an innate ability to take seemingly tired concepts and ideas and make them feel original and contemporary.

The Invisible Man is next-level stuff that signifies his arrival as a talented storyteller who has an innate ability to take seemingly tired concepts and ideas and make them feel original and contemporary.

Brahms: The Boy II (2020)

by Sara Michelle Fetters - February 22nd, 2020 - Movie Reviews

Brahms: The Boy II is a lazy sequel.

Brahms: The Boy II is a lazy sequel.

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