This new Rabid definitely has bite, and while that it fails to draw any more blood than that produced by a pinprick is undeniably a problem, it’s not a big enough on that I can entirely dismiss what it is the filmmakers have done here.
Jumanji: The Next Level continues a story begun way back in 1995 with wit, intelligence, imagination and creativity, and I’m honestly a little shocked to admit that I cannot wait to see where things go next.
The Aeronauts is a one-of-a-kind achievement, and for that reason alone here’s hoping audiences go give it a look.
Rian Johnson’s marvelous who-done-it (and how’d-they-do-it) all-star murder mystery Knives Out is more than just a witty modern-day riff on a familiar Agatha Christie-like scenario.
Queen & Slim is a nightmare romantic thriller ripped straight out of today’s headlines
Honey Boy is a complex nonlinear trek into the highs, lows and uncomforting in-betweens of a life lived on the fringes of the Los Angeles spotlight, this father-son story at a vicious exposé of lost dreams, heightened expectations, overpowering addiction and unselfish love that caught me by surprise.
Frozen II is a sequel that exists to tell its own individual story and not just ride on the Oscar-winning coattails of its predecessor, watching it a continual joy that filled my heart with glee.
Hitting the screen like a shot of pure unfiltered adrenaline, director James Mangold’s Ford v Ferrari is an outstanding historical character study overflowing in energy, excitement, drama, heartache, euphoria and unbridled suspense.
Because Condon and Hatcher don’t drop any hints or noticeable clues as to what is going on this character-driven mystery comes perilously close to transforming into a ‘70s-style exploitation thriller for the AARP set, which might have been fine had I felt The Good Liar earned such a pivotal change in tone.