His House is something special, the line between forgiveness and punishment an ethereal enigma that’s as haunting as it is imperceptible.
Synchronic is a groovy psychedelic hallucinatory delight worth getting addicted to.
Rebecca left me wanting more, this emotionally flaccid retelling of one of literature’s greatest gothic romances a frustrating waste of time.
12 Hour Shift is an agreeably nasty workplace satire overflowing in whimsical moments, grotesque twists of fate and unforeseen emotional nuances that both tickled my funny bone and gave me a thing or two to think about in greater detail.
Sorkin’s latest directorial offering The Trial of the Chicago 7 is timely, engaging and undeniably thought-provoking. It is also spectacularly acted across the board.
The Wolf of Snow Hollow is a bloody good October treat.
Pilcher and Thomas do a fine job bringing their stories to life, A Call to Spy a sublime testament to unheralded heroics which should have been documented long before now.
Once Upon a River is a redemptive tale caked in catastrophic mistakes which lead to terrifying consequences, some of which will leave lasting psychological scars while others conceal the potential for a rejuvenated rebirth that might lead to unforeseen future happiness.
Spontaneous raucously combusts like no other horror-comedy this year.