Rabid (2019)

by Sara Michelle Fetters - December 14th, 2019 - Movie Reviews

This new Rabid definitely has bite, and while that it fails to draw any more blood than that produced by a pinprick is undeniably a problem, it’s not a big enough on that I can entirely dismiss what it is the filmmakers have done here.

This new Rabid definitely has bite, and while that it fails to draw any more blood than that produced by a pinprick is undeniably a problem, it’s not a big enough on that I can entirely dismiss what it is the filmmakers have done here.

Jumanji: The Next Level (2019)

by Sara Michelle Fetters - December 12th, 2019 - Movie Reviews

Jumanji: The Next Level continues a story begun way back in 1995 with wit, intelligence, imagination and creativity, and I’m honestly a little shocked to admit that I cannot wait to see where things go next.

Jumanji: The Next Level continues a story begun way back in 1995 with wit, intelligence, imagination and creativity, and I’m honestly a little shocked to admit that I cannot wait to see where things go next.

The Aeronauts (2019)

by Sara Michelle Fetters - December 11th, 2019 - Movie Reviews

The Aeronauts is a one-of-a-kind achievement, and for that reason alone here’s hoping audiences go give it a look.

The Aeronauts is a one-of-a-kind achievement, and for that reason alone here’s hoping audiences go give it a look.

Knives Out (2019)

by Sara Michelle Fetters - November 27th, 2019 - Movie Reviews

Rian Johnson’s marvelous who-done-it (and how’d-they-do-it) all-star murder mystery Knives Out is more than just a witty modern-day riff on a familiar Agatha Christie-like scenario.

Rian Johnson’s marvelous who-done-it (and how’d-they-do-it) all-star murder mystery Knives Out is more than just a witty modern-day riff on a familiar Agatha Christie-like scenario.

Queen & Slim (2019)

by Sara Michelle Fetters - November 27th, 2019 - Movie Reviews

Queen & Slim is a nightmare romantic thriller ripped straight out of today’s headlines

Queen & Slim is a nightmare romantic thriller ripped straight out of today’s headlines

Honey Boy (2019)

by Sara Michelle Fetters - November 22nd, 2019 - Movie Reviews

Honey Boy is a complex nonlinear trek into the highs, lows and uncomforting in-betweens of a life lived on the fringes of the Los Angeles spotlight, this father-son story at a vicious exposé of lost dreams, heightened expectations, overpowering addiction and unselfish love that caught me by surprise.

Honey Boy is a complex nonlinear trek into the highs, lows and uncomforting in-betweens of a life lived on the fringes of the Los Angeles spotlight, this father-son story at a vicious exposé of lost dreams, heightened expectations, overpowering addiction and unselfish love that caught me by surprise.

Frozen II (2019)

by Sara Michelle Fetters - November 21st, 2019 - Movie Reviews

Frozen II is a sequel that exists to tell its own individual story and not just ride on the Oscar-winning coattails of its predecessor, watching it a continual joy that filled my heart with glee.

Frozen II is a sequel that exists to tell its own individual story and not just ride on the Oscar-winning coattails of its predecessor, watching it a continual joy that filled my heart with glee.

Ford v Ferrari (2019)

by Sara Michelle Fetters - November 15th, 2019 - Movie Reviews

Hitting the screen like a shot of pure unfiltered adrenaline, director James Mangold’s Ford v Ferrari is an outstanding historical character study overflowing in energy, excitement, drama, heartache, euphoria and unbridled suspense.

Hitting the screen like a shot of pure unfiltered adrenaline, director James Mangold’s Ford v Ferrari is an outstanding historical character study overflowing in energy, excitement, drama, heartache, euphoria and unbridled suspense.

The Good Liar (2019)

by Sara Michelle Fetters - November 15th, 2019 - Movie Reviews

Because Condon and Hatcher don’t drop any hints or noticeable clues as to what is going on this character-driven mystery comes perilously close to transforming into a ‘70s-style exploitation thriller for the AARP set, which might have been fine had I felt The Good Liar earned such a pivotal change in tone.

Because Condon and Hatcher don’t drop any hints or noticeable clues as to what is going on this character-driven mystery comes perilously close to transforming into a ‘70s-style exploitation thriller for the AARP set, which might have been fine had I felt The Good Liar earned such a pivotal change in tone.

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