Once Damsel becomes Elodie versus Dragon, it becomes quite enjoyable.

This is an enjoyably winning continuation of Po’s story.

There is nothing kind about writer-director Teresa Sutherland’s haunting suspense yarn Lovely, Dark, and Deep.

Much like its predecessor, I found Dune: Part Two frequently cold and emotionally barren at the most inopportune times.

What’s remarkable about Drive-Away Dolls is how it is built on a foundation of intoxicating wholesomeness. Sure, people get beaten up, shot, and even beheaded, but that never changes how agreeably charming events turn out to be.

Lights Out is a waste of time.

Madam Web comes tantalizingly close to being an unintentional parody of the superhero genre, and that happy accident almost makes watching the resulting mess worthwhile.

Lisa Frankenstein is more of a warmhearted lark than a pointed social commentary.

Out of the Darkness shines a light on modern troubles, and by dipping into the past, the film asks the audience to consider how tenuous and uncertain humanity’s future survival truly is.