Hotel Artemis (2018)

by Sara Michelle Fetters - June 8th, 2018 - Movie Reviews

The last 20 minutes of Hotel Artemis is the payoff all of the slow-burn build has been promising, and for the most part the freshman director pulls it off.

The last 20 minutes of Hotel Artemis is the payoff all of the slow-burn build has been promising, and for the most part the freshman director pulls it off.

Ocean’s Eight (2018)

by Sara Michelle Fetters - June 8th, 2018 - Movie Reviews

Ocean’s Eight stole my heart, and the theft of it has me grinning ear-to-ear.

Ocean’s Eight stole my heart, and the theft of it has me grinning ear-to-ear.

Adrift (2018)

by Sara Michelle Fetters - June 1st, 2018 - Movie Reviews

Coupled with Woodley’s superlative performance, even with a small handful of reservations I still think Adrift is worth seeing, and it’s additionally quite possible my appreciation for it will only grow as time goes by.

Coupled with Woodley’s superlative performance, even with a small handful of reservations I still think Adrift is worth seeing, and it’s additionally quite possible my appreciation for it will only grow as time goes by.

Feral (2017)

by Sara Michelle Fetters - June 1st, 2018 - Movie Reviews

Feral is too by-the-numbers to generate a consistent feeling of suspense or dread, and by the time the film reaches its rather foregone conclusion I’d already emotionally checked out long before this climax.

Feral is too by-the-numbers to generate a consistent feeling of suspense or dread, and by the time the film reaches its rather foregone conclusion I’d already emotionally checked out long before this climax.

First Reformed (2017)

by Sara Michelle Fetters - June 1st, 2018 - Film Festivals Movie Reviews

Nothing happens here that doesn’t feel as if Schrader is in completely control of the outcome, the inherent emotional complexities of First Reformed revealing themselves with a pointed didacticism that’s frequently compelling.

Nothing happens here that doesn’t feel as if Schrader is in completely control of the outcome, the inherent emotional complexities of First Reformed revealing themselves with a pointed didacticism that’s frequently compelling.

The Escape (2017)

by Sara Michelle Fetters - May 30th, 2018 - Movie Reviews

Writer/director Dominic Savage refuses to shower his characters with pity, making zero apologies for their actions no matter how heinous they might be. Yet his affection and respect for them is equally palpable, Tara a fiercely complex figure whose innate goodness is slowly being devastated by this growing cloud of despair.

Writer/director Dominic Savage refuses to shower his characters with pity, making zero apologies for their actions no matter how heinous they might be. Yet his affection and respect for them is equally palpable, Tara a fiercely complex figure whose innate goodness is slowly being devastated by this growing cloud of despair.

Revenge (2017)

by Sara Michelle Fetters - May 30th, 2018 - Film Festivals Movie Reviews

Revenge smashes the male gaze into a myriad of pieces, this incisive feminine vision of an all-too-real terror a gruesome shot of cinematic adrenaline I’m unlikely to soon forget.

Revenge smashes the male gaze into a myriad of pieces, this incisive feminine vision of an all-too-real terror a gruesome shot of cinematic adrenaline I’m unlikely to soon forget.

Disobedience (2017)

by Sara Michelle Fetters - May 25th, 2018 - Film Festivals Movie Reviews

Disobedience is a sensational motion picture I can’t wait to watch again, its pleas for tolerance, freedom, friendship and family all ones deserving to be heard now more than ever.

Disobedience is a sensational motion picture I can’t wait to watch again, its pleas for tolerance, freedom, friendship and family all ones deserving to be heard now more than ever.

On Chesil Beach (2017)

by Sara Michelle Fetters - May 25th, 2018 - Film Festivals Movie Reviews

But On Chesil Beach frustratingly can’t build on this gobsmack of a revelation, Cooke muting the inherent emotional explosiveness of Florence and Edward’s journey to the point it disappears just at the point it needed to be building to a crescendo.

But On Chesil Beach frustratingly can’t build on this gobsmack of a revelation, Cooke muting the inherent emotional explosiveness of Florence and Edward’s journey to the point it disappears just at the point it needed to be building to a crescendo.

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