While I’m sure many will miss the mutant hillbilly cannibals of the previous series, for my money this Virginia-set Wrong Turn is the superior backwoods sojourn into mayhem and madness.
The Marksman is a ponderous slog of a tale that rarely achieves anything close to a lasting impact.
While No Man’s Land’s finale is hardly original or unexpected, it still carries a fair amount of emotional weight that stopped my heart cold right at the very moment it was supposed to.
The three performances from Affleck, Segel and Johnson are ultimately what make Our Friend worthwhile.
Skyfire is a fast-paced disaster yarn overflowing in narrow escapes, sudden deaths and an overabundance of visual pyrotechnics.
Kirby’s magnificence alone makes Pieces of a Woman worthy of a look.
Shadow in the Cloud was a surprisingly enjoyable flight of monstrous fancy that helped me start the year off with a happy smile.
Fennell has delivered a gut-wrenching, must-see work of infuriated genius, and as painful as portions of Promising Young Woman were for me to experience, I’d happily go through the trauma of additional viewings as soon as the opportunity to do so arises.
If The Midnight Sky doesn’t shine as bright as maybe it could have, there was just enough sparkle to put a happy twinkle in my eye, and even with a noted absence of fuel Clooney’s latest still achieves emotionally cathartic liftoff.