A single act of kindness. A monetary instance of compassion. That’s all it takes to help someone in their darkest hour. Heck, it may even be enough to save the world.

Ghostlight is a variation on William Shakespeare’s Romeo and Juliet the likes of which I’ve never seen.

Inside Out 2 grows with Riley, and by doing so, it shows its audience a spiritual mirror that reflects their own self-image. It’s worth peering into. It’s even more difficult to forget.

Bad Boys: Ride or Die comes across as more of an overblown mid-1990s action flick than even the original 1995 hit that spawned this now four-film franchise does.

There are no cheap jump scares. No sudden outbursts of chaos or gore. Violence is (mostly) of the psychological variety and, more to the point, almost always self-inflicted.

Uneven Watchers Still Overflows in Supernatural Dread The Watchers, adapted from the novel by A.M. Shine, was written for the screen and directed by Ishana Night Shyamalan and produced by her The Sixth Sense, Signs, and Unbreakable filmmaker father M. Night Shyamalan. It’s the story of a young woman, artist Mina (Dakota Fanning), who finds […]

There is a moment in In a Violent Nature that will rightfully go down in slasher movie lore.

Trudy Ederle’s story needed to be told, and that it also happens to be this gosh darn triumphantly entertaining is a giant win for all of us.

But that instantaneous feeling of giddy euphoria? That hasn’t happened since The Road Warrior. Hasn’t happened, that is, until now. Until after watching Furiosa: A Mad Max Saga.