The Devil’s Doorway (2018)

by Sara Michelle Fetters - July 19th, 2018 - Film Festivals Movie Reviews

Newcomer Aislinn Clarke’s confident and sinister debut feature The Devil’s Doorway is a clever twist on the “found footage” subgenre of horror films, her movie more concerned with her three principal characters and their twisting moral ambiguities than it is in unleashing a bunch of nonsensical cheap scares.

Newcomer Aislinn Clarke’s confident and sinister debut feature The Devil’s Doorway is a clever twist on the “found footage” subgenre of horror films, her movie more concerned with her three principal characters and their twisting moral ambiguities than it is in unleashing a bunch of nonsensical cheap scares.

Mamma Mia! Here We Go Again (2018)

by Sara Michelle Fetters - July 19th, 2018 - Movie Reviews

I’m as flabbergasted as anyone that I enjoyed Mamma Mia! Here We Go Again as much as I did. But this sequel got to me and did so within in the first few minutes, an opening rendition of “When I Kissed the Teacher” having a sundrenched Technicolor exuberance that’s wondrous.

I’m as flabbergasted as anyone that I enjoyed Mamma Mia! Here We Go Again as much as I did. But this sequel got to me and did so within in the first few minutes, an opening rendition of “When I Kissed the Teacher” having a sundrenched Technicolor exuberance that’s wondrous.

The Lighthouse (2016)

by Sara Michelle Fetters - July 13th, 2018 - Movie Reviews

As a minimalist survival thriller showcasing humanity’s continual battle against the forces of nature The Lighthouse is a beacon of low budget indie ingenuity worth shining a positive spotlight upon.

As a minimalist survival thriller showcasing humanity’s continual battle against the forces of nature The Lighthouse is a beacon of low budget indie ingenuity worth shining a positive spotlight upon.

Skyscraper (2018)

by Sara Michelle Fetters - July 12th, 2018 - Movie Reviews

At a certain point the increasing inanity of the situations Will and his family must find a way to overcome become too incredulous to do anything but unintentionally laugh at, all of which makes Skyscraper a towering farcical misfire built upon a foundation of misbegotten nonsense.

At a certain point the increasing inanity of the situations Will and his family must find a way to overcome become too incredulous to do anything but unintentionally laugh at, all of which makes Skyscraper a towering farcical misfire built upon a foundation of misbegotten nonsense.

Ant-Man and the Wasp (2018)

by Sara Michelle Fetters - July 6th, 2018 - Movie Reviews

Ant-Man and the Wasp is a breezy, fast-paced sequel that goes out of its way to provoke buckets of laughter and massive sighs of wide-eyed awe in pretty in equal measure. It’s a fun film, and other than that I have little more to say.

Ant-Man and the Wasp is a breezy, fast-paced sequel that goes out of its way to provoke buckets of laughter and massive sighs of wide-eyed awe in pretty in equal measure. It’s a fun film, and other than that I have little more to say.

The First Purge (2018)

by Sara Michelle Fetters - July 4th, 2018 - Movie Reviews

While no one is going to win an Academy Award for their efforts the collective authenticity of the primary cast is never in doubt, and as such caring about whether they live or die is surprisingly easy to do.

While no one is going to win an Academy Award for their efforts the collective authenticity of the primary cast is never in doubt, and as such caring about whether they live or die is surprisingly easy to do.

Leave No Trace (2018)

by Sara Michelle Fetters - June 29th, 2018 - Film Festivals Movie Reviews

Leave No Trace is a human mystery where the clue to answering complex psychological riddles squarely resides in the familial bonds of love a father shares with his only daughter, Tom’s ability to see the bigger picture while also taking charge of her life on her own accord an inspirational stunner I can’t wait to see again.

Leave No Trace is a human mystery where the clue to answering complex psychological riddles squarely resides in the familial bonds of love a father shares with his only daughter, Tom’s ability to see the bigger picture while also taking charge of her life on her own accord an inspirational stunner I can’t wait to see again.

Let the Sunshine In (2018)

by Sara Michelle Fetters - June 29th, 2018 - Film Festivals Movie Reviews

If Let the Sunshine In isn’t Denis’ most vital work, that doesn’t make it any less artistically dazzling, the hope for a better tomorrow overflowing in thoughtful companionship and unfettered love a universal longing intelligent viewers of all types should have no problem relating to.

If Let the Sunshine In isn’t Denis’ most vital work, that doesn’t make it any less artistically dazzling, the hope for a better tomorrow overflowing in thoughtful companionship and unfettered love a universal longing intelligent viewers of all types should have no problem relating to.

Sicario: Day of the Soldado (2018)

by Sara Michelle Fetters - June 29th, 2018 - Movie Reviews

Far from an easy film, working in moral grey areas so noxious breathing in their fumes for too long is dangerous to one’s health, Sicario: Day of the Soldado is rough going, and as impressive as it might be I’m equally not altogether sure I enjoyed watching this story play itself out to its ethically ambiguous conclusion.

Far from an easy film, working in moral grey areas so noxious breathing in their fumes for too long is dangerous to one’s health, Sicario: Day of the Soldado is rough going, and as impressive as it might be I’m equally not altogether sure I enjoyed watching this story play itself out to its ethically ambiguous conclusion.

 Prev 1 2 3 4 5 6 7 ... 115 116 Next