The first half of this new take on A Star Is Born is incredible. The portions where Jackson and Ally meet, romantically intertwine and learn how to make music together are superb, Cooper and Gaga achieving a melodic harmony that held me spellbound.
Venom is a bad movie.
If Colette doesn’t make my list as one of 2018’s best films, it’s still certainly deserving of being an honorable mention, this historical biography of one of the great writers of the 20th century a fascinating treatise on artistic, sexual and gender expression I’ll not soon forget.
While Hell Fest has its moments, while there is plenty here worthy of praise, none of that is strong enough to overlook the film’s more irritating missteps. Maybe I’ll change my mind later, but as of right now I just can’t do it.
While there are some laughs, while a few solid dramatic moments are to be found, on the whole nothing ends up working, Night School a frustrating misfire that sadly proves to be a waste of time for almost everyone involved.
Smallfoot is just pleasing enough younger viewers will likely have a grand time watching Migo and his fellow yeti’s juvenile antics. While I didn’t like the movie, that doesn’t mean I can’t admit I’m not exactly in the prime age group it’s been designed to entertain.
It’s how all these various pieces fit together that makes Assassination Nation work as well as it does, and while Levinson doesn’t hit every target he aims at, the ones that strike the target end up right at the very center of the sadistically satirical bulls-eye.
As slight as The House with a Clock in Its Walls might be, it’s just so much gosh darn fun its various shortcomings thankfully don’t add up to much, Roth finally making a motion picture I can heartily recommend with no reservations whatsoever.
Life itself slams the viewer against the pavement time and time again almost as if doing so were an Olympic sport.