Hostiles (2017)

by Sara Michelle Fetters - January 5th, 2018 - Movie Reviews

Hostiles isn’t an easy sit, the end resolution a cultural demolition that, no matter how pure the intentions of the survivors might be, could prove to be even more heinous than the violence they, their compatriots and those standing against them all faced in a cold, lonely wilderness where every step could be someone’s last.

Hostiles isn’t an easy sit, the end resolution a cultural demolition that, no matter how pure the intentions of the survivors might be, could prove to be even more heinous than the violence they, their compatriots and those standing against them all faced in a cold, lonely wilderness where every step could be someone’s last.

I, Tonya (2017)

by Sara Michelle Fetters - January 5th, 2018 - Movie Reviews

But even if Gillespie and Rogers don’t go for the jugular, I still enjoyed much of what their truth is stranger than fiction real crime enterprise had to offer, and while I, Tonya doesn’t land a triple axel, it’s safe to say it doesn’t go splat face-first into the ice, either.

But even if Gillespie and Rogers don’t go for the jugular, I still enjoyed much of what their truth is stranger than fiction real crime enterprise had to offer, and while I, Tonya doesn’t land a triple axel, it’s safe to say it doesn’t go splat face-first into the ice, either.

Insidious: The Last Key (2018)

by Sara Michelle Fetters - January 5th, 2018 - Movie Reviews

Insidious: The Last Key isn’t the worst but it also clearly isn’t the best, either. It just sort of rests tenuously in some sort of bland, easily digestible horror middle ground, and as such there’s little reason to hate the film even if I can’t exactly sing its praises.

Insidious: The Last Key isn’t the worst but it also clearly isn’t the best, either. It just sort of rests tenuously in some sort of bland, easily digestible horror middle ground, and as such there’s little reason to hate the film even if I can’t exactly sing its praises.

The Post (2017)

by Sara Michelle Fetters - December 26th, 2017 - Four-Star Corner Movie Reviews

Add in the obvious parallels to our current fight to keep a free, unfettered press that’s under assault by a corrupt political machine unlike any the First Amendment has ever faced before, the importance of the messages at the heart of The Post couldn’t be more imperative. Spielberg’s latest might not be his best, but it may be his most essential, those from all corners of the ideological spectrum urged to watch it with an open mind and a clear heart at their earliest opportunity.

Add in the obvious parallels to our current fight to keep a free, unfettered press that’s under assault by a corrupt political machine unlike any the First Amendment has ever faced before, the importance of the messages at the heart of The Post couldn’t be more imperative. Spielberg’s latest might not be his best, but it may be his most essential, those from all corners of the ideological spectrum urged to watch it with an open mind and a clear heart at their earliest opportunity.

All the Money in the World (2017)

by Sara Michelle Fetters - December 25th, 2017 - Movie Reviews

Featuring a performance from Williams that is as beautifully nuanced and overflowing in naturalistic intensity as any she’s previously given, Scott’s All the Money in the World is an absorbing procedural that is marinated in uncomfortably authentic tension, events building to an explosive conclusion that left me happily gobsmacked.

Featuring a performance from Williams that is as beautifully nuanced and overflowing in naturalistic intensity as any she’s previously given, Scott’s All the Money in the World is an absorbing procedural that is marinated in uncomfortably authentic tension, events building to an explosive conclusion that left me happily gobsmacked.

Molly’s Game (2017)

by Sara Michelle Fetters - December 25th, 2017 - Movie Reviews

If Molly’s Game doesn’t quite have what would typically be considered a winning hand, it bluffs just well enough to still take the pot, proving that a pleasant smirk and a little underhanded double-dealing isn’t always as terrible a thing as it should be. Heck, sometimes it might even be construed as charming.

If Molly’s Game doesn’t quite have what would typically be considered a winning hand, it bluffs just well enough to still take the pot, proving that a pleasant smirk and a little underhanded double-dealing isn’t always as terrible a thing as it should be. Heck, sometimes it might even be construed as charming.

Downsizing (2017)

by Sara Michelle Fetters - December 22nd, 2017 - Movie Reviews

Downsizing’s many issues outweigh its attributes so significantly I can’t help but feel like this will go down as one of the year’s most frustrating disappointments, and for a director as undeniably talented as Payne there’s nothing small about just how upsetting I find making a statement like that one to be.

Downsizing’s many issues outweigh its attributes so significantly I can’t help but feel like this will go down as one of the year’s most frustrating disappointments, and for a director as undeniably talented as Payne there’s nothing small about just how upsetting I find making a statement like that one to be.

Father Figures (2017)

by Sara Michelle Fetters - December 22nd, 2017 - Movie Reviews

But the real problem is that, other than a few random moments here and there, Father Figures just isn’t funny.

But the real problem is that, other than a few random moments here and there, Father Figures just isn’t funny.

Pitch Perfect 3 (2017)

by Sara Michelle Fetters - December 22nd, 2017 - Movie Reviews

[If] Pitch Perfect 3 ends up being the Bellas’ a cappella swan song, for my part I can’t help but feel the entire group goes out on something of a satisfying high note.

[If] Pitch Perfect 3 ends up being the Bellas’ a cappella swan song, for my part I can’t help but feel the entire group goes out on something of a satisfying high note.

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