M3GAN 2.0 may be a step down from the killer doll’s last outing, but not a giant one.

Sorry, Baby is the type of film that stays with you long after the curtain has closed and everyone has left the theater. It’s darn near perfect.

There is a lightness and levity to Pixar’s latest animated spectacle Elio that kept me smiling for every moment of its interstellar comedic adventure.

Materialists may not quite gel, and its pieces do not all fit together comfortably, but I still find that I can’t stop thinking about it and treasuring so many of the story’s idiosyncratic wonders.

Fear Street: Prom Queen wears its horror tiara with pride.

I found watching Lilo & Stitch to be the cinematic equivalent of a comforting warm hug.

Clown in a Cornfield is a blood-splattered lark that giddily toys with genre conventions.

Much like its predecessor, The Accountant 2’s entertainment numbers add up, and thanks to Affleck and Bernthal’s captivating chemistry, the watchability return on investment is impressively significant.

The Wedding Banquet proudly walks down the aisle with confident grace and beauteous determination.