What’s remarkable about Drive-Away Dolls is how it is built on a foundation of intoxicating wholesomeness. Sure, people get beaten up, shot, and even beheaded, but that never changes how agreeably charming events turn out to be.

Lisa Frankenstein is more of a warmhearted lark than a pointed social commentary.

Argylle is exhausting.

Working Girl: Still channeling my inner Tess McGill on the classic romcom’s 35th anniversary

Not everyone is going to “get” the juvenile horror-comedy Destroy All Neighbors, but those who do are going to adore the ever-loving heck out of it.

No matter how successful it may have been on Broadway, the same can’t be said about this new Mean Girls. I wish I could bake the film a cake filled with rainbows and smiles and everyone would eat and be happy, but that’s not the case. Heck, I’m pretty sure we don’t even go to the same school.

The refreshingly adult Anyone But You is much ado about something special.

Migration is delightful.

As if it were traveling in a great glass elevator into the stratosphere, Wonka soars, and it didn’t take a golden ticket to go along for the ride.