1917 (2019)

by Sara Michelle Fetters - January 10th, 2020 - Movie Reviews

1917 is magnificent.

1917 is magnificent.

Les Misérables (2019)

by Sara Michelle Fetters - January 10th, 2020 - Movie Reviews

This might not be Victor Hugo’s story, but that doesn’t mean Les Misérables doesn’t still bear the author’s imprint, the ending of this story a mixture of tragedy, compromise, disappointment and, yes, even hope that leaves many questions unanswered and the future for all involved painfully uncertain.

This might not be Victor Hugo’s story, but that doesn’t mean Les Misérables doesn’t still bear the author’s imprint, the ending of this story a mixture of tragedy, compromise, disappointment and, yes, even hope that leaves many questions unanswered and the future for all involved painfully uncertain.

Just Mercy (2019)

by Sara Michelle Fetters - December 23rd, 2019 - Movie Reviews

By challenging audiences to recognize and understand this fact Cretton is adding his voice to the growing chorus attempting to see that this happens, that in and of itself reason enough to give the Just Mercy a look.

By challenging audiences to recognize and understand this fact Cretton is adding his voice to the growing chorus attempting to see that this happens, that in and of itself reason enough to give the Just Mercy a look.

Little Women (2019)

by Sara Michelle Fetters - December 23rd, 2019 - Movie Reviews

This Little Women kept me on my toes, and even though I’ve read Alcott’s novel multiple times and have watched Armstrong’s sublime adaptation on numerous occasions, I still felt like I was experiencing this tale for the first time while watching Gerwig’s film.

This Little Women kept me on my toes, and even though I’ve read Alcott’s novel multiple times and have watched Armstrong’s sublime adaptation on numerous occasions, I still felt like I was experiencing this tale for the first time while watching Gerwig’s film.

Uncut Gems (2019)

by Sara Michelle Fetters - December 23rd, 2019 - Movie Reviews

There is nothing polite about brothers Benny Safdie and Josh Safdie’s newest hyper-adrenalized ticking clock drama Uncut Gems.

There is nothing polite about brothers Benny Safdie and Josh Safdie’s newest hyper-adrenalized ticking clock drama Uncut Gems.

The Aeronauts (2019)

by Sara Michelle Fetters - December 11th, 2019 - Movie Reviews

The Aeronauts is a one-of-a-kind achievement, and for that reason alone here’s hoping audiences go give it a look.

The Aeronauts is a one-of-a-kind achievement, and for that reason alone here’s hoping audiences go give it a look.

Queen & Slim (2019)

by Sara Michelle Fetters - November 27th, 2019 - Movie Reviews

Queen & Slim is a nightmare romantic thriller ripped straight out of today’s headlines

Queen & Slim is a nightmare romantic thriller ripped straight out of today’s headlines

“Ford v Ferrari” – Interview with Robert Nagle

by Sara Michelle Fetters - November 23rd, 2019 - Interviews

“It’s about having the right people and doing a lot of preparation and planning. You just go through the choreography step by step so that everybody understands where they need to be at any given moment. As long as that’s adhered to we take most of the risk out of it.”
– Robert Nagle, Stunt Coordinator | Ford v Ferrari (2019)

“It’s about having the right people and doing a lot of preparation and planning. You just go through the choreography step by step so that everybody understands where they need to be at any given moment. As long as that’s adhered to we take most of the risk out of it.”
– Robert Nagle, Stunt Coordinator | Ford v Ferrari (2019)

Honey Boy (2019)

by Sara Michelle Fetters - November 22nd, 2019 - Movie Reviews

Honey Boy is a complex nonlinear trek into the highs, lows and uncomforting in-betweens of a life lived on the fringes of the Los Angeles spotlight, this father-son story at a vicious exposé of lost dreams, heightened expectations, overpowering addiction and unselfish love that caught me by surprise.

Honey Boy is a complex nonlinear trek into the highs, lows and uncomforting in-betweens of a life lived on the fringes of the Los Angeles spotlight, this father-son story at a vicious exposé of lost dreams, heightened expectations, overpowering addiction and unselfish love that caught me by surprise.

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