The Passenger (2021)

by Sara Michelle Fetters - June 10th, 2022 - Film Festivals Movie Reviews

The gleefully anarchic and exuberantly pitch-black The Passenger is a dangerously nasty horror comedy that got under my skin.

The gleefully anarchic and exuberantly pitch-black The Passenger is a dangerously nasty horror comedy that got under my skin.

“Fire Island” – Interview with Andrew Ahn and Joel Kim Booster

by Sara Michelle Fetters - June 3rd, 2022 - Interviews

“I think it’s about joy, and finding the joy in being Gay and being Queer.”
– Joel Kim Booster

“I think it’s about joy, and finding the joy in being Gay and being Queer.”
– Joel Kim Booster

Crimes of the Future (2022)

by Sara Michelle Fetters - June 3rd, 2022 - Movie Reviews

Crimes of the Future is a futuristically retro slice of body horror that left me speechless. It is a twisted descent into madness, refusing to coddle its audience or offer up a single happy ending. I wouldn’t have had it any other way.

Crimes of the Future is a futuristically retro slice of body horror that left me speechless. It is a twisted descent into madness, refusing to coddle its audience or offer up a single happy ending. I wouldn’t have had it any other way.

Fire Island (2022)

by Sara Michelle Fetters - June 3rd, 2022 - Movie Reviews

Fire Island has no business being as good as it is.

Fire Island has no business being as good as it is.

Interceptor (2022)

by Sara Michelle Fetters - June 3rd, 2022 - Movie Reviews

A Die Hard clone set inside a top-secret military installation that’s the last line of defense against Russian nuclear aggression, high-octane actioner Interceptor is a waste of time.

A Die Hard clone set inside a top-secret military installation that’s the last line of defense against Russian nuclear aggression, high-octane actioner Interceptor is a waste of time.

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