The gleefully anarchic and exuberantly pitch-black The Passenger is a dangerously nasty horror comedy that got under my skin.
“I think it’s about joy, and finding the joy in being Gay and being Queer.”
– Joel Kim Booster
Crimes of the Future is a futuristically retro slice of body horror that left me speechless. It is a twisted descent into madness, refusing to coddle its audience or offer up a single happy ending. I wouldn’t have had it any other way.
Fire Island has no business being as good as it is.
A Die Hard clone set inside a top-secret military installation that’s the last line of defense against Russian nuclear aggression, high-octane actioner Interceptor is a waste of time.