Lights Out (2024)

by Sara Michelle Fetters - February 16th, 2024 - Movie Reviews

Lights Out is a waste of time.

Lights Out is a waste of time.

Madame Web (2024)

by Sara Michelle Fetters - February 14th, 2024 - Movie Reviews

Madam Web comes tantalizingly close to being an unintentional parody of the superhero genre, and that happy accident almost makes watching the resulting mess worthwhile.

Madam Web comes tantalizingly close to being an unintentional parody of the superhero genre, and that happy accident almost makes watching the resulting mess worthwhile.

Lisa Frankenstein (2024)

by Sara Michelle Fetters - February 8th, 2024 - Movie Reviews

Lisa Frankenstein is more of a warmhearted lark than a pointed social commentary.

Lisa Frankenstein is more of a warmhearted lark than a pointed social commentary.

Out of Darkness (2022)

by Sara Michelle Fetters - February 8th, 2024 - Movie Reviews

Out of the Darkness shines a light on modern troubles, and by dipping into the past, the film asks the audience to consider how tenuous and uncertain humanity’s future survival truly is.

Out of the Darkness shines a light on modern troubles, and by dipping into the past, the film asks the audience to consider how tenuous and uncertain humanity’s future survival truly is.

Argylle (2024)

by Sara Michelle Fetters - February 2nd, 2024 - Movie Reviews

Argylle is exhausting.

Argylle is exhausting.

I.S.S. (2023)

by Sara Michelle Fetters - January 26th, 2024 - Movie Reviews

I.S.S. asks several troubling and unpleasant questions, and the film refuses to make things easy on the audience by smothering them in obvious or easy answers.

I.S.S. asks several troubling and unpleasant questions, and the film refuses to make things easy on the audience by smothering them in obvious or easy answers.

Miller’s Girl (2024)

by Sara Michelle Fetters - January 26th, 2024 - Movie Reviews

Miller’s Girl frequently vacillates between being insightful and facile, many times within the same scene, and because of this, it’s incredibly difficult to generate anything more than an emotionally cursory involvement in what is going on.

Miller’s Girl frequently vacillates between being insightful and facile, many times within the same scene, and because of this, it’s incredibly difficult to generate anything more than an emotionally cursory involvement in what is going on.

“I.S.S.” – Interview with Ariana DeBose and Gabriela Cowperthwaite

by Sara Michelle Fetters - January 26th, 2024 - Features Interviews

Oscar winner Ariana DeBose and director Gabriela Cowperthwaite blur the lines between science fiction and science fact with the timely I.S.S.

Oscar winner Ariana DeBose and director Gabriela Cowperthwaite blur the lines between science fiction and science fact with the timely I.S.S.

Unforgettables: Cinematic Milestones #24 – Working Girl (1988)

by Sara Michelle Fetters - January 24th, 2024 - Features

Working Girl: Still channeling my inner Tess McGill on the classic romcom’s 35th anniversary

Working Girl: Still channeling my inner Tess McGill on the classic romcom’s 35th anniversary

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