The Marksman is a ponderous slog of a tale that rarely achieves anything close to a lasting impact.

Skyfire is a fast-paced disaster yarn overflowing in narrow escapes, sudden deaths and an overabundance of visual pyrotechnics.

Shadow in the Cloud was a surprisingly enjoyable flight of monstrous fancy that helped me start the year off with a happy smile.

Monster Hunter is exactly what you think it is going to be, nothing more, and certainly nothing less, and I’m okay with that.

Wonder Woman 1984 is an ambitious adventure, one that exuberantly galivants between Themyscira, Washington, DC, the Middle East and an isolated top-secret military satellite station with breakneck enthusiasm.

Collateral has held up brilliantly. A great film at the time of its release, Michael Mann’s seductively unsettling crime thriller has to my mind emerged as one of the the 21st century’s best pieces of pop entertainment.

Songbird pushes buttons that feel ugly and inappropriate, all of which makes giving the film any sort of fair assessment difficult to do.

While harmless and not altogether without its minor pleasures, Vanguard is instantly forgettable, and if one wants to see Chan at the height of his creative powers I suggest re-watching the original Police Story trilogy instead of this.

V for Vendetta plays a little differently in 2020 than it did in 2006, that’s for certain.