Gemini Man is the type of high-concept idea that were a dime a dozen back in the 1990s.

Faults, flaws and all this supposedly final chapter in the adventures of Mike Banning got the job done as far as I was concerned, and I’m honestly glad I took the time to give Angel Has Fallen a look.

Nekrotronic is a bizarre, fast-paced hoot, its slapdash devil-may-care storytelling dynamics oddly working for me more often than they did not.

Dora and the Lost City of Gold is superb, and here’s hoping this live-action teenage take on the material is a modest hit, if only because selfishly I want to watch this pint-sized adventurer head out into the wilds to continue her exploring immediately.

I just can’t deal with Hobbs & Shaw. It wore me down to the point I wanted to gnaw through my seat’s armrests as I kept praying for it to end.

By the time Tarantino played fast and loose with history and ramped up his masculine Los Angeles fairy tale to bloodily gruesome new heights, Once Upon a Time…in Hollywood had pretty much lost me, and I suddenly realized this was one bit of loopy pulp fiction I could have done without.

None of it mattered to me, and while I wanted to shrug my shoulders and whisper inaudibly, “Hakuna Matata,” as the end credits began their scrawl, the truth of the matter is that I felt no love for this The Lion King remake, it’s overall storytelling mediocrity a circle of never-ending disappointment I couldn’t wait to be finished with.

Stuber is a fun little trip into the ridiculous, and while I’m not about to give this cinematic rideshare a five-star rating, it seems to me three out of four should be more than adequate.

The fun of Spider-Man: Far from Home is watching the younger members of its cast agreeably interact with one another, and if the actual heroic parts of the tale could have generated maybe a third of that same intoxicating ebullience maybe I’d have found this latest MCU effort to be a bit more memorable.