Clint Eastwood and Jeff Bridges collaborate on a quirky homoerotic heist thriller that’s defiantly stood the test of time

Inside Out 2 grows with Riley, and by doing so, it shows its audience a spiritual mirror that reflects their own self-image. It’s worth peering into. It’s even more difficult to forget.

Bad Boys: Ride or Die comes across as more of an overblown mid-1990s action flick than even the original 1995 hit that spawned this now four-film franchise does.

The Fall Guy is an over-the-top explosion of comedy, romance, and, of course, crackerjack action choreography. It’s also frustratingly forgettable.

Abigail is a loopy, freewheeling lark that inventively reworks vampire mythology in several ingenious ways.

Nicolas Cage’s overlooked, empathetic gem still resonates 30 years on

The People’s Joker is an absurdist, autobiographical, mixed-media, DC Comics satire that pushes the definition of “fair use” to its breaking point.

Wicked Little Letters is one of those stories that would never be believable if it hadn’t actually happened.

With Ghostbusters: Frozen Empire, busting still makes me feel good.