For all the slit throats, close calls, electric shocks, and broken bones, Duchess fires too many blanks to be of any consequence.

Deadpool & Wolverine is critic-proof.

The hypnotically bizarre The Vourdalak is a one-of-a-kind supernatural chiller directed with stylish creativity by inventive French newcomer Adrien Beau.

Fly Me to the Moon achieves liftoff through sharp direction, clever screenwriting, and good, old-fashioned megawatt celluloid star power.

Is Despicable Me 4 great? No. Not at all. But I did laugh. More importantly, so did all the children. Sometimes that’s enough. This is one of those “sometimes.”

Clint Eastwood and Jeff Bridges collaborate on a quirky homoerotic heist thriller that’s defiantly stood the test of time

Inside Out 2 grows with Riley, and by doing so, it shows its audience a spiritual mirror that reflects their own self-image. It’s worth peering into. It’s even more difficult to forget.

Bad Boys: Ride or Die comes across as more of an overblown mid-1990s action flick than even the original 1995 hit that spawned this now four-film franchise does.

The Fall Guy is an over-the-top explosion of comedy, romance, and, of course, crackerjack action choreography. It’s also frustratingly forgettable.