It’s an impenetrable muddle, and this doesn’t just make Klara and the Sun disappointing, but, even worse, an insufferably twee disaster as well.

Whalefall is an emotional, heartrending ride that builds to a suitably explosive climax.

Sorkin’s Facebook diatribe is all over the map, and the more I keep thinking about The Social Reckoning, the more I’m second-guessing hitting that “like” button.

Verity is a frustrating waste of potential. Worse, it’s also a waste of time.

To paraphrase Hansen himself, so why not take a seat right over there? Even with all my misgivings, I’m glad I did; the uncomfortable shudders I had sitting through Primetime not about to vanish anytime soon.

Practical Magic 2 is all smoke and mirrors, and part of me wishes that pesky beetle would have shown up when this follow-up was in the planning stage and killed it off before it could have broken my heart.

The Dog Stars may not have a lot to say, but there’s still plenty it is working overtime to make its audience feel.

Christopher Nolan achieves something monumental and magnificent with his robust, stridently adrenalized adaptation of Homer’s 8th-century BCE epic poem The Odyssey.

Girls Like Girls sings a story of transformation, understanding, heartbreak, and love worth singing along to.