My opinion on Constantine has moved considerably from where it was when I first saw the film 20 years ago. I still don’t think it entirely works, but the positives do significantly outweigh the negatives.

Heart Eyes is the best romcom-slasher hybrid that I’ve ever seen.

There’s nothing robotic about Companion.

Much like he did with 2020’s superb The Invisible Man, director and co-writer Leigh Whannell reinvents the classic Universal Monster cinematic lore with Wolf Man, a stripped-down, decidedly modern take on lycanthropic lore.

Night of the Comet: Forty years later, the end of the world remains as satirically prescient as ever. Bitchin’, isn’t it?

Nosferatu left me feeling empty. It kept me at a frustrating distance, and even its tragic denouement of selfless sacrifice hit me as more perfunctory and preordained than authentically intimate.

Like the promising early days of the internet, Y2K’s only lasting legacy will likely be one smothered in disappointment and missed opportunity.

Smile 2 made me angry.

Terrifier 3 is more of an audaciously repugnant test of endurance than it is anything else even moderately substantive. Interested parties already know who they are.