Much like he did with 2020’s superb The Invisible Man, director and co-writer Leigh Whannell reinvents the classic Universal Monster cinematic lore with Wolf Man, a stripped-down, decidedly modern take on lycanthropic lore.

Night of the Comet: Forty years later, the end of the world remains as satirically prescient as ever. Bitchin’, isn’t it?

Nosferatu left me feeling empty. It kept me at a frustrating distance, and even its tragic denouement of selfless sacrifice hit me as more perfunctory and preordained than authentically intimate.

Like the promising early days of the internet, Y2K’s only lasting legacy will likely be one smothered in disappointment and missed opportunity.

Smile 2 made me angry.

Terrifier 3 is more of an audaciously repugnant test of endurance than it is anything else even moderately substantive. Interested parties already know who they are.

A Quiet Place: Part One isn’t only a fantastic prequel, it’s just plain great all on its own outside of the two wonderful A Quiet Place films that preceded it.

The V/H/S series happily shows no sign of slowing down, and V/H/S/Beyond is as thrilling an entry as any that has come before it.

Directors Karrie Crouse and William Joines have constructed a bleakly sparse Western where true horror is found in the emptiness of living one’s day-to-day life on the isolated extremes.