Deaths are perfunctory and have zero shock value, and House of Eden’s final moments land with something of a shoulder-shrugging thud.

The more I keep thinking about this new I Know What You Did Last Summer, the more I can’t stop smiling.

After watching Jurassic World: Rebirth, I’m thinking this is one franchise that is in desperate need of going on hiatus.

Boyle and Garland refuse to play it safe and, by doing so, make 28 Years Later an essential piece of horror social commentary. This is one of the year’s best films.

Dangerous Animals has sharp teeth. Even better, it knows how to use them.

Fear Street: Prom Queen wears its horror tiara with pride.

Clown in a Cornfield is a blood-splattered lark that giddily toys with genre conventions.

Sinners is one of 2025’s best films. More to the point, it’s one of the best I’m going to see this decade. Coogler has crafted something special.

Landon shows a playfully eclectic majesty where it comes to balancing suspense, horror, humor, and general human pathos and planting them inside a scenario that’s as silly as it is inspired. Because of this and more, Drop ends up being a massive amount of fun.