“I wanted younger audiences to appreciate it the way that maybe we appreciated Monster Squad when we were kids. But I also wanted it to be done in a way adults could appreciate the way that they did something like Knives Out.”
– “Werewolves Within” director Josh Ruben

“In a way, the world in this past year has gone through the most isolating, difficult time imaginable. What better guides out of the darkness and back into the light than the people of Washington Heights?”
– IN THE HEIGHTS director Jon M. Chu

“What I would really like is for audiences to spend an hour and 40 minutes with these characters and feel close to them. To look at them on the screen and relate in ways they are not expecting.”
– Ben Sharrock

“Nobody got cold feet about doing something super crazy, because you can’t go into something like this fearful.”
– Mike P. Nelson

“This story was about regular dudes. Guys who are not necessarily career military…I thought that was very interesting. I’m making a movie about people you don’t make movies about. That’s exciting.”
– Rod Lurie

“When I read the script, Sarah Bolger is pretty much the only person I could see in the lead role.”
– Abner Pastoll

“I think Haley delivers a tour de force performance that will knock everyone’s socks off. She poured every iota of her soul into this project, and it’s transcendent to watch her.”
– Swallow writer/director Carlo Mirabella-Davis

“Sometimes it was overwhelming in all the best of ways. There was just so much possibility. When you’re just in the zone and in there with your camera, you have to take the opportunity to trust your eye as a filmmaker.”
– Olympic Dreams director Jeremy Teicher

“It’s about having the right people and doing a lot of preparation and planning. You just go through the choreography step by step so that everybody understands where they need to be at any given moment. As long as that’s adhered to we take most of the risk out of it.”
– Robert Nagle, Stunt Coordinator | Ford v Ferrari (2019)