Antebellum is noticeably striking in several ways, but it’s also sickening and disheartening in so many more.
Sherlock Holmes is one of Guy Ritchie’s better movies and is astonishingly easy to watch multiple times. Robert Downey Jr. and Jude Law are a terrific team, while the comedy, mystery and action elements meld rather nicely for the majority of the picture’s 128-minute running time.
I still do not like Sherlock Holmes: A Game of Shadows.
La Llorona comments on current international events as well as recent Guatemalan history with confident authority, making the film a universally accessible ghost story that will haunt all who watch it for quite some time to come.
Amulet is a distinctly feminist journey where answers only reveal additional questions, and doing the so-called “right thing” could lead to ghastly unforeseen events born of entitled selfishness that are both heinous and unforgivable all at the same time.
Relic is a singularly magnetic motion picture that burrows under the skin leaving a lasting scar, the hushed uncertainty of the devastation left behind in its wake impossible to forget.
Shirley paints the author with an insightfully lush and vibrant brush, her relationship with Rose allowing for a level of empathetic understanding that makes enduring all those ethereal metaphorical ghouls, ghosts and demons magnetically worthwhile.
The Vast of Night is a fast-paced genre excursion into the mysterious unknown. It held me breathlessly spellbound for almost 90 minutes, the haunting nature of the questions it enthusiastically asks as prescient and as essential now as they ever were back during the McCarthyism 1950s time period in which this tale is set.
The final cry The Whistlers makes is one of forgiveness and grace, the unspoken connective pull of human understanding impossible to resist.