Out of Blue is something imaginative and unique even as it traverses some fairly rudimentary determined cop murder mystery thriller terrain. Whether this is a positive or a negative I cannot say.
Upgrade is a total blast, and if in the coming years this bit of muscular, blood-soaked science fiction silliness were to spawn a sequel I’ll be first in line to see what sort of aggressively violent trouble Grey and STEM will get themselves into next.
The Endless goes places that are both eerily unexpected and emotionally affecting, the all-encompassing monstrous beauty of this spellbinding sci-fi thriller impossible to understate.
Allowing Portman the freedom to deliver a performance that shifts and evolves like the landscape she is investigating, Annihilation is a piece of science fiction cinematic wonderment I’ll have trouble forgetting, it’s ultimate destination one of self-inflicted humanistic absolution worthy of additional examination.
Reset works, there’s really nothing else to say, this ticking clock thriller a timely leap into the human abyss that proves once again a parent’s love for their child is as undying as it is also potentially unstoppable.
Time is never what it appears yet always remains of the essence no matter what transpires, Arrival inhabiting that place between the seconds where the future is an imaginative possibility and hope is the improbable foundation greatness is built upon.
Predestination, as whacky, odd and haphazard as it oftentimes might be, is just a heck of a lot of brain-twisting fun.
That Transcendence doesn’t ultimately work is decidedly a problem but that doesn’t make the experience of watching it any less riveting, and as failures go this is arguably one I’ll be thinking about and pondering for many months to come.
Alex Cross is a bad film, and that’s all there is to say on the matter.