Alfred Hitchcock’s masterpiece of voyeuristic suspense and the preternatural beauty of Grace Kelly remain as timeless as ever

Amber Alert may run out of gas before the finish line, but that doesn’t mean it isn’t still worth climbing into the passenger seat and going along for the ride.

Jonathan Demme’s 2004 take on The Manchurian Candidate has honestly aged rather well. The acting is stellar, there’s plenty of tension, and many of this update’s core ideas remain as prescient and as timely as ever.

There is nothing kind about writer-director Teresa Sutherland’s haunting suspense yarn Lovely, Dark, and Deep.

As slight and as inconsequential as it may be, The Killer is still quite amusing, even if it does vanish from memory not too long after the story’s events have concluded.

Director Samuel Bodin and writer Chris Thomas Devlin may not do anything terribly new or original with their visceral shocker Cobweb, but their exceedingly confident production still manages to entertain.

Inside is a perplexing descent into the unknown, and whether or not this madness is art (or the art is madness) is purely in the eye of the beholder.

Ghostface’s assault on the Big Apple is a good one. Scream VI shows there’s still life in this series, and now that a new generation has been given control of the story, I’m curious to see where things go next.

I say give Operation Fortune a chance, as it may just steal your heart.