I honestly wish The Intruder stuck the landing because, as mindless and as absurd as this thriller might be, it’s fiendishly well directed, craftily scripted and rarely takes itself so seriously that its more insidiously inane qualities become almost endearing.

The first wide release of 2019, director Adam Robitel’s Escape Room is an inventive little horror-thriller that has a fair amount of fun with its somewhat familiar premise.

Flight isn’t an easy sit. It doesn’t offer up comforting answers to the many questions it raises or deal in exaggerated platitudes an audience might find simplistically comforting.

At its heart Sinister is a tragedy of a man inadvertently attempting to fall on a sword of his own welding, making the final moments more poignantly heartrending then I anticipated.

Army of Shadows is a masterpiece.

Tell No One is the type of thriller viewers won’t want to keep quiet about. In fact, if they have any sense they’re going to be screaming to see it again.

For a blissfully exhausting, fast and furious 80 minutes, Reeves pays homage to 1950s giant monster classics while also imaginatively making the genre deviously his own.

The movie is a fearlessly unsettling descent into voyeuristic madness overflowing in comedy, drama, tension and insight. It obliterated all my expectations, The Lives of Others a stunning masterwork that marks the arrival of an important filmmaker worth keeping an eye on.

Children of Men is a stunning powerhouse, and it is almost impossible to grasp all it is attempting to say in just a single viewing.