The Eternal Daughter might be 2022’s best film.

Knives Out set an impossibly high bar. Glass Onion vaults over it with rhapsodic ease.

The Banshees of Inisherin is unquestionably one of the year’s best films.

Pearl is a gift.

Three Thousand Years of Longing is the story of life, and as frustrating and maddening as that can be, it’s also quite beautiful: the continual hope for a better tomorrow is a wish worth making, no matter what the risks.

Turning Red is a miracle of storytelling genius. It will be one of the best films of 2022. Heck, it may turn out to be one of the best I’ve seen the remainder of this decade.

Drive My Car is one of 2021’s best films.

Hansen-Løve twists Bergman Island into a circular pretzel during the climax, and I loved seeing how all her seemingly disconnected themes and plot strands suddenly came together into one with such rhapsodic ease.

Sublime Pig a Rare Cinematic Delicacy While one can second guess many of his choices as to which films to be a part of, as far as I’m concerned Nicolas Cage remains one of the great actors working today. The man never phones it in. He never takes a second of his screen time for […]