“There’s something magical about watching [Sweetheart Deal] in a theater, surrounded by people who are fully engaged with the story — it’s a communal experience that amplifies the emotional impact of the film in a way that’s hard to replicate elsewhere.”
– Director Elisa Levine

Where it counts most, Trust in Love gets almost everything right: the interactions between devoted parents and their hurting children, who try to act as if they stoically understand what is happening but on the inside are crumbling to pieces.

Ghostlight is a variation on William Shakespeare’s Romeo and Juliet the likes of which I’ve never seen.

There is a moment in In a Violent Nature that will rightfully go down in slasher movie lore.

I Saw the TV Glow is one of the best films about identity I’ve ever seen.

The People’s Joker is an absurdist, autobiographical, mixed-media, DC Comics satire that pushes the definition of “fair use” to its breaking point.

All of Us Strangers is maybe 2023’s best film.

“We love that in our movies you can find a subtext. You can find more things when you watch a second time.”
– Fernando González Gómez

The gleefully anarchic and exuberantly pitch-black The Passenger is a dangerously nasty horror comedy that got under my skin.