Candyman (2021)

by Sara Michelle Fetters - August 25th, 2021 - Movie Reviews

There are things about Nia DaCosta’s Candyman that I will not talk about.

There are things about Nia DaCosta’s Candyman that I will not talk about.

Habit (2021)

by Sara Michelle Fetters - August 19th, 2021 - Movie Reviews

Habit Habit is something of a 1990s Pulp Fiction–style throwback with female leads who find themselves navigating a True Romance–meets–Sister Act type narrative that is as unwieldy as it is oddly compelling.

Habit Habit is something of a 1990s Pulp Fiction–style throwback with female leads who find themselves navigating a True Romance–meets–Sister Act type narrative that is as unwieldy as it is oddly compelling.

The Night House (2020)

by Sara Michelle Fetters - August 19th, 2021 - Movie Reviews

The Night House grabbed me by the throat and slowly squeezed.

The Night House grabbed me by the throat and slowly squeezed.

The Protégé (2021)

by Sara Michelle Fetters - August 19th, 2021 - Movie Reviews

The Protégé is an aggressively nasty actioner that fearlessly mucks around in the mud while embracing practically all of its cartoonishly pulpy attributes.

The Protégé is an aggressively nasty actioner that fearlessly mucks around in the mud while embracing practically all of its cartoonishly pulpy attributes.

Free Guy (2021)

by Sara Michelle Fetters - August 12th, 2021 - Movie Reviews

While I’m no gamer, Free Guy is one breezily intoxicating expedition into the unknown I wish I could pick up a controller and play for myself, and that’s a compliment.

While I’m no gamer, Free Guy is one breezily intoxicating expedition into the unknown I wish I could pick up a controller and play for myself, and that’s a compliment.

Raging Fire (2021)

by Sara Michelle Fetters - August 12th, 2021 - Film Festivals Movie Reviews

Car chases. Shootouts. Brutal fights, many of them between multiple adversaries wielding clubs, knives and all sorts of slice-and-dice weaponry. It’s all here, and every bit is glorious.

Car chases. Shootouts. Brutal fights, many of them between multiple adversaries wielding clubs, knives and all sorts of slice-and-dice weaponry. It’s all here, and every bit is glorious.

Tailgate (2019)

by Sara Michelle Fetters - August 12th, 2021 - Film Festivals Movie Reviews

Tailgate introduces a villainous stalker for the ages, and the next time I’m behind the wheel I’ll be on my best behavior just to play it safe.

Tailgate introduces a villainous stalker for the ages, and the next time I’m behind the wheel I’ll be on my best behavior just to play it safe.

Masquerade (2021)

by Sara Michelle Fetters - August 1st, 2021 - Movie Reviews

Masquerade pulls off this final act of subterfuge just well enough I do believe some will come away suitably shocked and impressed, and maybe that’s enough for this one to warrant a mild recommendation.

Masquerade pulls off this final act of subterfuge just well enough I do believe some will come away suitably shocked and impressed, and maybe that’s enough for this one to warrant a mild recommendation.

The Green Knight (2021)

by Sara Michelle Fetters - July 29th, 2021 - Movie Reviews

The Green Knight is an otherworldly tale told at a measured pace that doesn’t spoon-feed the viewer a single easy answer to any of its impenetrable psychoanalytical moralistic queries.

The Green Knight is an otherworldly tale told at a measured pace that doesn’t spoon-feed the viewer a single easy answer to any of its impenetrable psychoanalytical moralistic queries.

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