Andrew Desmond’s feature-length narrative debut The Sonata is a literate, methodically paced throwback gothic thriller that plays a little like a Hammer production from the mid-to-late 1960s that would have starred Peter Cushing and Christopher Lee in the two primary male roles.
Queen & Slim is a nightmare romantic thriller ripped straight out of today’s headlines
Burns has delivered a pulse-pounding procedural I could not resist, and I can’t help but think that audiences of all political persuasions will end up feeling the same just as long as they can put their differences aside in order to give The Report a look.
Vice Squad is a product of its time. It’s an ugly film, one that digs into the muck and mire of the world it presents with almost gleeful gusto. All of which makes it easy to understand how Gary Sherman’s dramatic thriller has somehow stood the test of time.
I loved Scary Stories to Tell in the Dark something fierce, and if 12-year-old me had watched it I can almost guarantee I’d have gone back to the theatre multiple times just so I could experience its various thrills and chills again and again.
The majority of the characters in Trespassers weren’t ones I wanted to spend that much time with, and other than Sarah I had to look long and hard to find anything approaching a redeeming quality in just about any of them.
Crawl is an unpretentious creature-feature from The Hills Have Eyes and High Tension filmmaker Alexandre Aja that’s every bit of gnarly fun as its ludicrous premise makes one hope it is going to be.
I Trapped the Devil is an austere shocker worth checking out.
I honestly wish The Intruder stuck the landing because, as mindless and as absurd as this thriller might be, it’s fiendishly well directed, craftily scripted and rarely takes itself so seriously that its more insidiously inane qualities become almost endearing.