Boys Don’t Cry: Celebrating the complicated, problematic legacy of an essential entry in the LGBTQ cinematic canon on its 25th anniversary

Queer is an ejaculatory descent into the unfinished humanistic unknown that’s probably unlike anything I’ve ever seen. I have a feeling Burroughs, if he were still around to see the finished film, wouldn’t have wanted it any other way.

“Don’t let the confines of life and society keep you from being who you are meant to be. Don’t give up. Go for it.”
– Hualālai Chung

Moana 2 is hardly smooth sailing, but it does have its charms. I’ll leave it up to the passage of time to discover how lasting they are, and just how far this sequel can ultimately go.

For all my misgivings, I was entertained by Gladiator II. I call that a victory.

As much as I wish the filmmaking team had refrained from splitting the story into pieces and delivered one three-hour musical adventure, Wicked: Part One won me over. There is magic here — elements that defy conventional cinematic gravity — and I’m not about to let my reservations bring me down.

While I am as cynical about the current state of the human condition as anyone, Red One taps into something honest and hopeful. Right now, with all that’s going on in the real world, those aren’t emotional states of being I want to take for granted. More importantly, I’d like to believe I’m not the only one who feels that way.

Juror #2 is a bona fide crowd-pleaser that’s guilty of being hugely entertaining.