
1,001 Great Films – Part Eight
by Sara Michelle Fetters - November 3rd, 2021 - FeaturesScience, philosophy and the enduring gender-nonconforming creative lunacy of Real Genius
Science, philosophy and the enduring gender-nonconforming creative lunacy of Real Genius

1,001 Great Films – Part Seven
by Sara Michelle Fetters - September 29th, 2021 - FeaturesFrom Orlando to Perks of Being a Wallflower, the journey to self-acceptance remains a wild ride
From Orlando to Perks of Being a Wallflower, the journey to self-acceptance remains a wild ride

1,001 Great Films – Part Six
by Sara Michelle Fetters - September 1st, 2021 - FeaturesMarilyn Monroe, my grandmother Doris and the haunting depressive beauty of The Misfits
Marilyn Monroe, my grandmother Doris and the haunting depressive beauty of The Misfits

1,001 Great Films – Part Five
by Sara Michelle Fetters - August 5th, 2021 - FeaturesLife’s Labyrinth, or How One Cinematic Sarah Leads to Another (just without the “h”)
Life’s Labyrinth, or How One Cinematic Sarah Leads to Another (just without the “h”)

1,001 Great Films – Part Four
by Sara Michelle Fetters - June 30th, 2021 - FeaturesSean Connery, the Art/Artist Debate and Longing to be a “Golden Girl”
Sean Connery, the Art/Artist Debate and Longing to be a “Golden Girl”

1,001 Great Films – Part Three
by Sara Michelle Fetters - June 2nd, 2021 - FeaturesDragonslayer, gender and the myth of the so-called “guilty pleasure”
Dragonslayer, gender and the myth of the so-called “guilty pleasure”

1,001 Great Films – Part Two
by Sara Michelle Fetters - May 5th, 2021 - FeaturesFrom Mascara to Boys Don’t Cry, the films that shape us are always a surprise
From Mascara to Boys Don’t Cry, the films that shape us are always a surprise

1,001 Great Films – Part One
by Sara Michelle Fetters - April 1st, 2021 - FeaturesHow I lost it at the drive-in and fell in love with the movies
How I lost it at the drive-in and fell in love with the movies

2020 Recap – Introduction
by Sara Michelle Fetters - December 31st, 2020 - FeaturesIn a 2020 unlike anything I could have imagined beforehand, writing about the year in film feels understandably strange.
In a 2020 unlike anything I could have imagined beforehand, writing about the year in film feels understandably strange.