1,001 Great Films – Part Ten

by Sara Michelle Fetters - December 26th, 2021 - Features

Ending at the beginning and the beginning of the end

Ending at the beginning and the beginning of the end

1,001 Great Films – Part Nine

by Sara Michelle Fetters - December 1st, 2021 - Features

Bambi, The Thin Red Line and the enduring power of parental love

Bambi, The Thin Red Line and the enduring power of parental love

1,001 Great Films – Part Eight

by Sara Michelle Fetters - November 3rd, 2021 - Features

Science, philosophy and the enduring gender-nonconforming creative lunacy of Real Genius

Science, philosophy and the enduring gender-nonconforming creative lunacy of Real Genius

1,001 Great Films – Part Seven

by Sara Michelle Fetters - September 29th, 2021 - Features

From Orlando to Perks of Being a Wallflower, the journey to self-acceptance remains a wild ride

From Orlando to Perks of Being a Wallflower, the journey to self-acceptance remains a wild ride

1,001 Great Films – Part Six

by Sara Michelle Fetters - September 1st, 2021 - Features

Marilyn Monroe, my grandmother Doris and the haunting depressive beauty of The Misfits

Marilyn Monroe, my grandmother Doris and the haunting depressive beauty of The Misfits

1,001 Great Films – Part Five

by Sara Michelle Fetters - August 5th, 2021 - Features

Life’s Labyrinth, or How One Cinematic Sarah Leads to Another (just without the “h”)

Life’s Labyrinth, or How One Cinematic Sarah Leads to Another (just without the “h”)

1,001 Great Films – Part Four

by Sara Michelle Fetters - June 30th, 2021 - Features

Sean Connery, the Art/Artist Debate and Longing to be a “Golden Girl”

Sean Connery, the Art/Artist Debate and Longing to be a “Golden Girl”

1,001 Great Films – Part Three

by Sara Michelle Fetters - June 2nd, 2021 - Features

Dragonslayer, gender and the myth of the so-called “guilty pleasure”

Dragonslayer, gender and the myth of the so-called “guilty pleasure”

1,001 Great Films – Part Two

by Sara Michelle Fetters - May 5th, 2021 - Features

From Mascara to Boys Don’t Cry, the films that shape us are always a surprise

From Mascara to Boys Don’t Cry, the films that shape us are always a surprise

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