Pawel Pawlikowski’s Cold War is a stunning piece of episodic storytelling that’s positively breathtaking in its invigorating emotional magnitude.
If I don’t love Don’t Come Back from the Moon that doesn’t mean I still didn’t find much to be intrigued by and bewitched with here, this visually elastic piece of a cinematic poetry a dramatic curiosity I’m happy I took the time to see.
For me, Shyamalan’s brutally self-aware conclusion to his trilogy Glass was well worth the wait, and I’ll be curious to see how this series ends up getting assessed, debated and reinterpreted over the next few years.
Not enough to feel like Pledge is worth a recommendation but still sufficient to admit I will admit that even with all my reservations there’s at least a couple of positives to be found here. Whether that is enough for a genre fanatic to splurge on a matinee ticket or pay the price of a VOD download I do not know, this bloody initiation into collegiate terror a purposefully exploitive mixed bag to say the least.
The downside to The Upside is that there just isn’t a lot that’s positive to say about it. Burger’s remake is a waste of time and talent, this tone-deaf misfire the first bona fide disappointment of 2019.
The first wide release of 2019, director Adam Robitel’s Escape Room is an inventive little horror-thriller that has a fair amount of fun with its somewhat familiar premise.
Rust Creek is a strong thriller that does both its central characters as well as the audience watching it proud, treating both with intelligence and respect for the entirety of its 108-minute running time.
Without further ado, and in alphabetic order, my picks for the ten most disappointing films of 2018:
Here are a handful of my various favorites from 2018 including fav performances, scores, songs, Blu-rays and films separated by genre. Superfluous fluff? Probably, but it’s still fun compiling all of this together into one gigantic smorgasbord of (hopefully) tasty goodness.