His House is something special, the line between forgiveness and punishment an ethereal enigma that’s as haunting as it is imperceptible.
Synchronic is a groovy psychedelic hallucinatory delight worth getting addicted to.
Rebecca left me wanting more, this emotionally flaccid retelling of one of literature’s greatest gothic romances a frustrating waste of time.
12 Hour Shift is an agreeably nasty workplace satire overflowing in whimsical moments, grotesque twists of fate and unforeseen emotional nuances that both tickled my funny bone and gave me a thing or two to think about in greater detail.
Sorkin’s latest directorial offering The Trial of the Chicago 7 is timely, engaging and undeniably thought-provoking. It is also spectacularly acted across the board.
The Wolf of Snow Hollow is a bloody good October treat.
Yet the kinetic fury of Snyder’s box office smash cannot be denied. It’s numerous flaws notwithstanding, this is still a rousingly entertaining spectacle, and watching it again I was struck by just how absorbing I continue to find 300 to be.
For those interested in a little wild west action inserted into their horror, Aaron B. Koontz’s The Pale Door is worth lassoing.
This Valley Girl musical remake was a lot easier to watch the second time around. I’m still a little frustrated by the film, but not nearly as egregiously so as I was earlier this year.