The Old Way is a cold, uncompromising Western that tracks down suspense and tension by moseying down a conventional narrative trail.

The Eternal Daughter might be 2022’s best film.

I know what Chazelle is trying to say with Babylon, but it’s all for naught.

Whitney Houston was a singular talent, and she deserves an equally unique motion picture chronicling her life. But this isn’t it, and that’s downright heartbreaking.

Sarah Polley’s Women Talking is a powerful, thought-provoking drama that left me shattered and stunned.

Avatar: The Way of Water builds to a final hour of action and suspense that blew me through the theater’s back wall.

There is nothing subtle about writer-director Sam Mendes’s Empire of Light.

The Harbinger is director-writer-editor-composer-producer Andy Mitton’s best film yet.

Christmas Bloody Christmas is a gruesome slice of holiday cruelty that knows exactly what it is and doesn’t try to be anything else, and that’s exactly as it should be.