Black Adam is a super-powered misfire.

Ticket to Paradise is more staycation than vacation, and as such it is equally as memorable.

Feig’s film is nowhere near as fully realized or as creatively satisfying as I kept hoping it was going to be, making The School for Good and Evil a mixed bag of magic tricks.

Dark Glasses is a satisfying return to form for Argento, this nifty little retro Giallo slasher a tasty October treat worth savoring.

The climax of Halloween Ends is pure, unabashed, blood-soaked nonsense, culminating in that full-throttle showdown that’s been 44 years in the making and promised in the sequel’s title.

Hellraiser understands that suffering isn’t a black-or-white emotion. It resides in the gray areas of the human psychological condition, and is as vital for healing and survival as friendship, companionship, or even love.

Terrifier 2 is exhausting. Leone’s sequel wore me out, it’s objectionably devious nastiness too extreme even for me.

Bros does entertain, and my laughs were loud and hearty on multiple occasions. I just wish Stoller and Eichner had made an attempt to dig a little deeper.

For fans of the genre, Dead for a Dollar is an essential quick-draw jolt of B-grade pulp fiction worth unholstering.