Deadpool & Wolverine is critic-proof.

Much like a destructive storm that blows itself out with nary a discernible rhyme or reason, all Twisters left in its wake was a metaphorical mess that left me sadly despondent.

As B-grade WWII adventure throwbacks to the 1950s and ‘60s are concerned, Murder Company is firing far too many blanks, making this a lackluster mission difficult to get enthused about.

Clint Eastwood and Jeff Bridges collaborate on a quirky homoerotic heist thriller that’s defiantly stood the test of time

Warner’s 4K presentation is immaculate, and the bountiful bonus features makes this one of the best — if not the best — physical media releases of the entire Monsterverse up to this point. For fans, this disc comes highly recommended.

Bad Boys: Ride or Die comes across as more of an overblown mid-1990s action flick than even the original 1995 hit that spawned this now four-film franchise does.

But that instantaneous feeling of giddy euphoria? That hasn’t happened since The Road Warrior. Hasn’t happened, that is, until now. Until after watching Furiosa: A Mad Max Saga.

The Fall Guy is an over-the-top explosion of comedy, romance, and, of course, crackerjack action choreography. It’s also frustratingly forgettable.

As magnificent as the ending may be, I wanted more (including a reason to care), and that’s game over for Boy Kills World as far as I’m concerned.