As B-grade WWII adventure throwbacks to the 1950s and ‘60s are concerned, Murder Company is firing far too many blanks, making this a lackluster mission difficult to get enthused about.

Clint Eastwood and Jeff Bridges collaborate on a quirky homoerotic heist thriller that’s defiantly stood the test of time

Warner’s 4K presentation is immaculate, and the bountiful bonus features makes this one of the best — if not the best — physical media releases of the entire Monsterverse up to this point. For fans, this disc comes highly recommended.

Bad Boys: Ride or Die comes across as more of an overblown mid-1990s action flick than even the original 1995 hit that spawned this now four-film franchise does.

But that instantaneous feeling of giddy euphoria? That hasn’t happened since The Road Warrior. Hasn’t happened, that is, until now. Until after watching Furiosa: A Mad Max Saga.

The Fall Guy is an over-the-top explosion of comedy, romance, and, of course, crackerjack action choreography. It’s also frustratingly forgettable.

As magnificent as the ending may be, I wanted more (including a reason to care), and that’s game over for Boy Kills World as far as I’m concerned.

Cash Out did nothing for me, and the only thing this cinematic heist was successful at accomplishing was to steal precious time I’ll never get back.

Patel shows directorial promise, displaying a uniquely personal vision that allows Monkey Man to defy simplistic genre classifications.