Ant-Man’s return is notable for the villain and not a lot more, meaning this sequel shrinks into the back of the memory rather quickly, disappearing into the multiversal content void almost as if it never existed in the first place.

Celebrating its 25th birthday, Ma Vie en Rose remains a perfectly pink life-affirming marvel.

I believe in Santa Claus: Unwrapping the magical pleasures of Miracle on 34th Street on its 75th anniversary

Avatar: The Way of Water builds to a final hour of action and suspense that blew me through the theater’s back wall.

Coraline is the visually magical film that started it all for Laika back in 2009, and it’s safe to say director Henry Selick’s delectably sinister animated marvel hasn’t lost an ounce of its charm.

Of all of the Laika films that the studio has released since 2009’s Coraline, I think ParaNorman has aged the best.

Strange World is a gloriously weird adventure that’s like the ungainly love child of a Dr. Seuss storybook melded with Fantastic Voyage that revels in the goofy cosmic sensibilities of a random episode of the classic 1960s television series Lost in Space.

Coogler aims high with Black Panther: Wakanda Forever, and when the director hits his target, it’s right in the absolute center of the bull’s-eye. But the misses add up.

Black Adam is a super-powered misfire.