Freaky is an imaginative body-swap horror-comedy where thrills and chills relax comfortably alongside giggles and guffaws with intoxicating grace.
Come Play ends up being a fun, frequently tense little genre shocker that’s also a sublime calling card for Chase that has me excited to see what he’ll get up to next.
I enjoyed what Lister-Jones accomplishes with The Craft: Legacy even if not everything she conjures up successfully manifests. There’s magic being performed by this quartet of young witches, and here’s my hope that the target audience is there to bear witness.
His House is something special, the line between forgiveness and punishment an ethereal enigma that’s as haunting as it is imperceptible.
12 Hour Shift is an agreeably nasty workplace satire overflowing in whimsical moments, grotesque twists of fate and unforeseen emotional nuances that both tickled my funny bone and gave me a thing or two to think about in greater detail.
The Wolf of Snow Hollow is a bloody good October treat.
For those interested in a little wild west action inserted into their horror, Aaron B. Koontz’s The Pale Door is worth lassoing.
Spontaneous raucously combusts like no other horror-comedy this year.
Antebellum is noticeably striking in several ways, but it’s also sickening and disheartening in so many more.