Mexican import Huesera: The Bone Woman is not for the faint of heart.

For every positive stride Shyamalan takes toward LGBTQ representation in Hollywood, there are almost as many going upsettingly backward, and I’m starting to think Knock at the Cabin was one cinematic rap on the door I should have left unanswered.

Celebrating its 25th birthday, Ma Vie en Rose remains a perfectly pink life-affirming marvel.

Of all of the Laika films that the studio has released since 2009’s Coraline, I think ParaNorman has aged the best.

Bros does entertain, and my laughs were loud and hearty on multiple occasions. I just wish Stoller and Eichner had made an attempt to dig a little deeper.

I have no idea what to make of writer-director Addison Heimann’s psychological horror yarn Hypochondriac.

“I think it’s about joy, and finding the joy in being Gay and being Queer.”
– Joel Kim Booster

Fire Island has no business being as good as it is.

Victor/Victoria: Blake Edwards’ 1982 gender-bending Parisian musical farce remains ahead of its time