Pretty positive M3GAN and I will be friends to the end.

The Harbinger is director-writer-editor-composer-producer Andy Mitton’s best film yet.

Peking Express is a gorgeously shot oddity built on an unstable foundation.

Violent Night does exactly what it sets out to do, and does so with panache, frivolity, and style. It’s a blood-splattered act of resistance, and not since Billy Chapman went on his Silent Night, Deadly Night rampage has a Santa Claus crushed so many skulls as he removes names from his extensive “naughty” list.

NEAR DARK: 35 years of atmospheric thrills, chills, and challenging expectations with Kathryn Bigelow’s vampire western

Knives Out set an impossibly high bar. Glass Onion vaults over it with rhapsodic ease.

The Menu is as delicious as it is vile, as mouthwatering as it is salacious.

Based on articles written by New York Times reporters Megan Twohey and Jodi Kantor in 2017, the investigative journalism procedural She Said is as enthralling as it is infuriating.

Assassination is a fun Italian Cold War thriller that makes precious little sense and frequently feels as if it were edited in a blender and put together with haphazard indifference.