John Wick: Chapter 3 – Parabellum is a highflying ballet of bloodshed and carnage that’s altogether remarkable, the adrenaline rush I got while watching it a euphoric high I wish I could bottle and sell at the neighborhood store.
I Trapped the Devil is an austere shocker worth checking out.
I honestly wish The Intruder stuck the landing because, as mindless and as absurd as this thriller might be, it’s fiendishly well directed, craftily scripted and rarely takes itself so seriously that its more insidiously inane qualities become almost endearing.
The Curse of La Llorona is a massive missed opportunity that failed to maintain my interest, this latest entry in producer James Wan’s spookily successful ghost story universe conjuring up a profound sense of disappointment that left me dejectedly frustrated.
Sunset is a daring, thought-provoking motion picture that overflows in disturbing resonance, Nemes drawing parallels between the personal saga of a woman looking for answers to questions she didn’t even initially know, the birth of WWI and the groundwork for the fascist resurgence we’re seeing in the United States and several European countries right this very second here in the 21st century over a hundred years after this story is set.
Out of Blue is something imaginative and unique even as it traverses some fairly rudimentary determined cop murder mystery thriller terrain. Whether this is a positive or a negative I cannot say.
If it had been 20 minutes shorter, had the filmmakers not been so encumbered by the need to maintain fidelity to the MCU, I think it is safe to say Captain America: The Winter Soldier would be the best Marvel movie thus far.
a SIFF 2013 review Nothing Cheap About These Bleakly Satirical Thrills Cheap Thrills is the best movie you are likely going to be too scared to see. An eviscerating satirical assault on financial disparity and the smug, narcissistic tendencies of a seemingly uncaring elite coupled with the anything-goes neediness of a working class oftentimes willing […]
If Sabotage (2014) doesn’t quite get there, it’s not for lack of trying on [Schwarzengger’s] part, and I like the decision to tackle something so profoundly dark, close to off-putting. The movie is a pulpy piece of revenge noir that’s in the end as bleak and as riddled with despair as these enterprises can get (think Man on Fire), that in and of itself almost enough to warrant a recommendation on my part right there alone.