The Curse of La Llorona is a massive missed opportunity that failed to maintain my interest, this latest entry in producer James Wan’s spookily successful ghost story universe conjuring up a profound sense of disappointment that left me dejectedly frustrated.
Sunset is a daring, thought-provoking motion picture that overflows in disturbing resonance, Nemes drawing parallels between the personal saga of a woman looking for answers to questions she didn’t even initially know, the birth of WWI and the groundwork for the fascist resurgence we’re seeing in the United States and several European countries right this very second here in the 21st century over a hundred years after this story is set.
Out of Blue is something imaginative and unique even as it traverses some fairly rudimentary determined cop murder mystery thriller terrain. Whether this is a positive or a negative I cannot say.
a SIFF 2013 review Nothing Cheap About These Bleakly Satirical Thrills Cheap Thrills is the best movie you are likely going to be too scared to see. An eviscerating satirical assault on financial disparity and the smug, narcissistic tendencies of a seemingly uncaring elite coupled with the anything-goes neediness of a working class oftentimes willing […]
If Sabotage (2014) doesn’t quite get there, it’s not for lack of trying on [Schwarzengger’s] part, and I like the decision to tackle something so profoundly dark, close to off-putting. The movie is a pulpy piece of revenge noir that’s in the end as bleak and as riddled with despair as these enterprises can get (think Man on Fire), that in and of itself almost enough to warrant a recommendation on my part right there alone.
Cryptic Enemy Weaves a Tangled Web Adam (Jake Gyllenhaal) is a timid, unsure of himself college professor who nonetheless has a gorgeous blonde girlfriend, Mary (Mélanie Laurent), who by all accounts appears to love him flaws and all. Anthony (also Gyllenhaal) is a snarling, self-obsessed actor on the rise married to a gorgeous blonde, Helen […]
Jack Ryan: Shadow Recruit, clunky title aside, does a nice job of making Clancy’s hero relevant again. It brings him into the post-9/11 world with invigorating and suspenseful aplomb, and while Branagh’s effort doesn’t rise to the same heights as the two Phillip Noyce directed efforts with Ford, and is certainly light years away from the near-perfection of John McTiernan’s The Hunt for Red October, it’s still a solidly entertaining thriller that’s easy to enjoy.
If only Seeking Justice was even moderately worthwhile. It has a rudimentary made-for-Cable feel that, while certainly not off-putting, is still rather laughable.
Sound of Noise is nothing short of a cacophony of sound, fury, silence, ingenuity and inspiration, the entire plot revolving around a scenario that’s as silly as it is absurd.