Nekrotronic is a bizarre, fast-paced hoot, its slapdash devil-may-care storytelling dynamics oddly working for me more often than they did not.
This “Universal Horror Collection: Volume 1” is one of the all-time great collections Scream! Factory has ever put together.
While not for everyone, Ladyworld ended up getting to me, it’s freeze-frame conclusion nothing less than disquietly marvelous.
I just can’t deal with Hobbs & Shaw. It wore me down to the point I wanted to gnaw through my seat’s armrests as I kept praying for it to end.
The majority of the characters in Trespassers weren’t ones I wanted to spend that much time with, and other than Sarah I had to look long and hard to find anything approaching a redeeming quality in just about any of them.
Crawl is an unpretentious creature-feature from The Hills Have Eyes and High Tension filmmaker Alexandre Aja that’s every bit of gnarly fun as its ludicrous premise makes one hope it is going to be.
There is a lot to unpack where it comes to Midsommar, and a lot of it is definitely, a defiantly, worthy of additional dissection and debate.
As much as I enjoyed that second adventure with the evil titular doll, Annabelle Comes Home is such a massive amount of sinister fun it might be my favorite entry in The Conjuring universe outside of the first film.
John Wick: Chapter 3 – Parabellum is a highflying ballet of bloodshed and carnage that’s altogether remarkable, the adrenaline rush I got while watching it a euphoric high I wish I could bottle and sell at the neighborhood store.